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Wednesday, December 31, 2025

Wynmore Wendall: Superstitious Sailor


Wynmore Wendall washed up on the shores of Cryndoria with nothing but splinters in his hands and a shipwreck behind his eyes. The storm that destroyed his vessel was no ordinary squall—it screamed, twisted, and seemed almost alive, as though the sea itself had decided he did not belong upon it. He was the lone survivor, dragged ashore half-dead and changed in ways he still doesn’t fully understand. Once a sailor who trusted wind, tide, and routine, Wynmore emerged from the wreck deeply superstitious, forever uneasy. Even now, years later, he mutters charms, avoids certain roads on unlucky days, and believes the world is constantly sending him signs—warnings, omens, or calls he doesn’t yet know how to answer.

With no ship to return to and no desire to look back, Wynmore began moving inland, away from the coast and the memory of the sea. He traveled slowly across Cryndoria, attaching himself to merchant convoys and wandering caravans, earning his keep by hauling crates, guarding wagons, and throwing his weight around when trouble arose. Though Cryndoria was still recovering from a brutal civil war that had ended fifteen years earlier, Wynmore felt no attachment to its history or politics. Whenever the subject arose, his response was always the same: a shrug and a flat, “I’m not from here.” Eventually, his wandering carried him to Oakbarrow—a fertile, agricultural town sustained by farms and fields rather than trade routes or ports. Travelers passed through often enough, but Oakbarrow was quiet, grounded, and far enough from the coast that Wynmore finally felt safe enough to stop moving.

Life in Oakbarrow settled into a routine that both sustains and suffocates him. Wynmore earns his living hauling goods to and from the local tavern, lifting sacks of grain and barrels of ale with the ease of someone who has never let his body go soft. By night, he supplements his income in Oakbarrow’s underground fighting circuit, where his size, stamina, and sailor-honed toughness have earned him a respectable win–loss record. Still, whenever a fight doesn’t go his way, Wynmore is quick to complain—about rigged matches, bad luck, cursed opponents, or unseen forces working against him. His whining has become part of his reputation, and the locals—especially the town’s children—have taken to calling after him with the mocking chant, “Win more!” a nickname he pretends not to mind but never truly shakes.

Despite his small, solitary life, Wynmore is convinced he is meant for something greater. He lingers in the tavern long after his shifts end, listening closely whenever travelers share rumors of monsters, lost relics, ancient ruins, or distant wars. Every whispered story feels like destiny tapping him on the shoulder—yet he never quite acts on it. Fear, doubt, and superstition keep him rooted in Oakbarrow, trapped between the comfort of familiarity and the promise of legend. Wynmore Wendall is a man standing at the edge of his own story, waiting for the world—or fate—to shove him forward.

And when that moment comes, one thing is certain: Wynmore Wendall will venture forth...


Tuesday, December 16, 2025

The Bitter Pill 6: John Cena Gives Up


For more than two decades, WWE superstar John Cena lived by a pair of three-word mottos: “Hustle, loyalty, respect” and “Never give up.” Across nearly 25 years, he granted hundreds of Make-a-Wish requests, served as the undisputed face of WWE, and crafted a heroic legacy that spanned multiple generations of fans.

In July 2024, Cena announced that he would retire at the end of 2025, breaking the hearts of millions of wrestling fans. Yet the announcement also sparked immediate intrigue. Who would Cena face on his way out? Old rivals? Dream matches? A final spotlight on rising talent?

Few could have predicted what followed.

Cena’s 18-match retirement tour featured several notable moments: a second-place finish in the Royal Rumble, a victory inside the Elimination Chamber, and the most shocking development of all: his long-awaited heel turn. After years of fan speculation, Cena finally embraced the dark side, aligning himself with The Rock and Travis Scott, stunning the wrestling world by delivering a low blow to Cody Rhodes at the conclusion of Elimination Chamber.



For years, fans begged to see the company’s white knight bend the rules but Cena always resisted, determined to preserve his family-friendly image. When it finally happened, it felt historic - although the storyline ultimately lacked follow-through once Dwayne and Travis unexpectedly vanished from television.

Still, the heel turn opened the door for fresh matchups for a few months. Cena squared off against top babyfaces including Cody Rhodes, CM Punk, Sami Zayn, and longtime admirer R-Truth. Along the way, he broke Ric Flair’s long-standing world championship record, capturing a historic seventeenth title. But without meaningful direction, Cena’s villain run always felt temporary and quickly ran out of steam, not to mention that fans continued to cheer him despite his dastardly deeds. Entertaining as it was, it seemed inevitable that he would finish his career the way he started it - as a hero.

Eventually, he did pivot back to his old, righteous character. After a brief, almost abrupt redemption, the WWE Universe welcomed him back with open arms. Cena closed out his tour with strong performances with and against familiar foes like AJ Styles, Sheamus, and Rey Mysterio. He even defeated Dominik Mysterio to capture the Intercontinental Championship - the only major title that had eluded him - officially making Cena a Grand Slam Champion in the twilight of his career.



His final opponent was decided via a 16-man “Last Time Is Now” tournament featuring WWE and NXT talent, along surprise appearances from ex-WWE stars Zack Ryder and Dolph Ziggler. From early on, rumors pointed toward Gunther as the scripted winner. Gunther, who returned from an injury that kept him out of action for several months, had already established himself as a multi-time champion and recently retired Goldberg in the summer of 2025, and a probably “career ender” reputation wouldn’t be an unrealistic angle.

For some fans – myself included - that outcome felt potentially underwhelming. Cena’s final match seemed better suited for a long-standing rival like Randy Orton or The Miz, or even an impossible dream opponent like Edge, who is currently contracted by WWE’s main rival, AEW. But the rumors proved true. Gunther won the tournament and earned the right to face John Cena in his retirement match at Saturday Night’s Main Event in Washington, D.C.

The match itself was fine. It wasn’t a highlight-reel classic like Cena’s bout with AJ Styles, nor was it a one-sided demolition like his loss to Brock Lesnar. As the tour progressed, Cena showed signs of slowing down - precisely the reason he chose to retire while still capable. He wasn’t bad; he was simply no longer prime Cena. Against a methodical opponent like Gunther, that worked. The slower pace fit the moment.

The crowd was firmly in Cena’s corner, louder and more unified than perhaps any audience of Cena’s storied career. There seemed to be a genuine belief that he could pull off one last victory.

Industry tradition suggests otherwise. Retirement matches are often about passing the torch, and legends typically go out on their backs, looking up at the lights. Ric Flair did it. Kurt Angle did it. Batista did it. The Undertaker did it. Goldberg lost consciousness in his last match with Gunther. That’s just how wrestling works.

But John Cena felt different. It felt like maybe - just maybe - WWE would let us see Cena’s hand raised one last time.

In the episode or two preceding Saturday Night’s Main Event, Gunther promised he would make Cena go against everything he preached; he promised to make Cena give up.

That idea alone felt wrong. The man whose entire career was built on “Never Give Up” was not going to tap out. Not in his final match.

Throughout the bout, Cena delivered his signature offense - the Five Knuckle Shuffle, the “five moves of doom,” and multiple Attitude Adjustments, including one through the announce table and another from the middle ropes. Gunther kicked out every time. He fought back relentlessly, chopping Cena down and repeatedly locking in the sleeper hold - the same move that ended Goldberg’s career.



Surely they weren’t going to make John Cena submit.

…Right?

As the match wore on, Cena struggled to stay upright, narrowly escaping defeat multiple times. The crowd roared, chanting “Don’t give up!” and unleashing venom toward Gunther, urging their hero onward.

But time and time again, Gunther cinched in that sleeper hold, and Cena started to fade. Finally, in a moment that will be talked about and debated for years to come, John Cena smiled.

And then, softly, he tapped out.

John Cena gave up.

This just felt wrong. Cena didn’t look overpowered. He didn’t look completely out of gas. He just looked tired - disappointed, even. Sad. The moment felt symbolic, as if Cena were quietly acknowledging, “My time is over. The job is done.”

This week on his social media accounts, Cena posted a captionless image of Obi-Wan Kenobi smiling just before being struck down by Darth Vader. The comparison spoke for itself.

The crowd, meanwhile, was stunned into near silence as Gunther’s hand was raised. A smattering of applause followed - more out of appreciation for Cena than appreciation of the moment itself - but it hardly resembled the sendoff WWE likely envisioned. Wrestlers soon filed to the ring, led by WWE Chief Content Officer Paul “Triple H” Levesque, who was met with loud boos and profanity-laced chants. The tonal shift was jarring: from Cena’s shocking defeat to Triple H laughing and grinning as he gestured toward the video board, where a triumphant highlight package of Cena’s career began to play.



Fans could do nothing but watch in disbelief as the curtain fell on an unrivaled career during a moment that should have felt triumphant but simply didn’t.

Yahoo! Sports journalist Ariel Helwani addressed Cena’s retirement on his podcast, The Ariel Helwani Show, pushing back against the familiar argument that this was “what wrestling tradition demands”:

“People will say, ‘This is what John wanted - he wanted to give back to the business.’ And to that I say that’s nonsense. That ideology belongs to wrestling in the ’70s and ’80s, not the era we’re living in now. Who wanted to see John Cena lose again and again in his final months? And not only does he lose his retirement match, but the guy who told us for over 20 years to never give up loses by submission. The match never should have been Cena vs. Gunther, and it sure as [expletive] never should have ended with Cena tapping out.”

Helwani also suggested that WWE may as well have told its audience, “You want this? Well, here’s the exact opposite.” During the match, fans loudly chanted “Super Cena,” a nickname once used mockingly by detractors who resented his seemingly invincible booking. On this night, however, the chant carried nostalgia and affection. The fans were trying to will him to victory. And what they received in return was a version of John Cena who abandoned the very mantra that defined his career, tapping out and exiting with a whimper.

Bleacher Report echoed that frustration, criticizing Cena’s retirement run as a whole and calling it a program that “largely missed the mark,” citing inconsistent storytelling, the failed heel turn, and a lack of meaningful payoff. What should have been a legacy-defining farewell instead became a wave of nostalgia filled with squandered opportunities.

The larger problem for WWE is that moments like this tend to linger with its audience. Last weekend, fans in Washington were taunting Gunther for having tapped out to Jey Uso at WrestleMania last April; there is little chance they’ll forget that he ended John Cena’s career via one of the most pathetic-looking tap-outs of all time.

WWE may be comfortable doubling down on the idea that this was “best for business,” and to Gunther’s credit, his character thrives in hostility. But Cena’s farewell wasn’t supposed to be about solidifying Gunther as a star. It was supposed to be about John Cena.

At a time when WWE is steadily pricing fans out of live events and television programming, the company had a chance to give its audience something simple and rare: a joyful goodbye. A victory lap. A final image worthy of the man who carried the brand for a generation.

The fans deserved better. John Cena deserved better. Instead, WWE chose an ending that undercut the very values its biggest star spent decades promoting.

I know it’s all part of the show - but for once, wouldn’t a happy ending have been enough?

Hustle, loyalty, respect. Never give up… unless it’s the final match of your career and the script says otherwise.



*****

The Bitter Pill is an ongoing series containing my thoughts on moments that make me wonder why I even watch sports (even the pre-determined ones) in the first place. For a nice jog down Pain Boulevard, read the other posts here. You can also try to find me on Facebook, follow me on Twitter (here and here), and explain why it's still real to you, dang it, in the comments section below.

Until next time.

Thursday, December 11, 2025

A-Town Playlist: Top Spotify Songs of 2025 and Songs for Corey


'Tis the season for Spotify Wrapped! And A-Town is back with his yearly listening recap, showcasing his musical taste and the extent to which his children influenced the results! Special this year is the inclusion of a playlist created for the newest addition of the A-Town clan - Corey, who was born in September, so we'll have that playlist loaded up later on. Let's hand the keys over to A-Town himself, dive in and see how it went.


Spotify Wrapped - Top 10 Songs

  1. "All My Love" - Coldplay
  2. "Carry You Home" - Alex Warren
  3. "HandClap" - Fitz and the Tantrums
  4. "Hope" - We Shot the Moon
  5. "Who Needs Sleep?" - Barenaked Ladies
  6. "A Little Bit of Love" - Weezer
  7. "Foolish Father" - Weezer
  8. "Safe and Sound" - Capital Cities
  9. "This Too Shall Last" - Anderson East
  10. "Blackbird" - The Beatles
Over the past couple of years, since becoming a parent, I've come to wish that Spotify would give us, like, two vetoes for our top songs as a way of correcting the meddling of our children. Give us two. Anything beyond that is our fault.

If I could veto two of my songs, I'd kick out "HandClap" and "Blackbird," which are both good songs, but definitely not in the top 10 because of me. My two oldest boys are obsessed with "HandClap" and have even figured out how to get it to play on our Google Nest Hub - somewhat to my chagrin - but they sure are cute when they dance to it. "Blackbird" is a prominent song in the movie "Boss Baby," which they like, so I blame Theodore Leslie Templeton, Jr. for that one. "Who Needs Sleep?" is another one that was played on repeat in the car many, many times, at the request of my kids, but it's a fun song that I hadn't listened to in years, so I'd let that one slide.

If I bumped those two songs out and slid two songs up, the new additions would have been "Turn the Lights Back On," a song by Billy Joel that I had no idea existed but really ended up loving, and "Change Your Mind" by Sister Hazel, which is a great one, too. The honorable mention will live on for eternity.

Analysis: I was hoping "All My Love" would be the top song. Until earlier this year, I was unaware that Coldplay made good songs after "Viva La Vida," but as soon as I heard this one, I knew I wanted it as the first song on the baby playlist. It was definitely my favorite song of the year, and I went to some lengths to ensure that it wound up on top. "Carry You Home" and "Hope" were also on the baby playlist early on, so they got a lot of run through the summer and early fall. I don't know why I kept going back to the Weezer album "Everything Will Be Alright in the End" this year, but "Foolish Father" is a hidden gem, for sure. "This Too Shall Last" was a song that I discovered while trying to get creative for Corey, and I'd be interested in listening to more of Anderson East (who I had never previously heard of) to see if he has anything else that I like. Overall, not a bad top 10 list for the year. I'll take it.

Minutes Listened

I tried to be more intentional about my music listening this year. Since I was sent home for COVID, I've never reached even close to the number of minutes listened that I was doing back in the office, due to a lot of things, from constant access to the TV, my newfound addiction to audiobooks and several other factors.

However, this year, I bounced back in a big way, hitting my highest total since before the pandemic! Look at me go!


Analysis: This year, I thought it might be cool to listen to bands' entire discographies, from start to finish. I figured that could be a way to force the Spotify algorithm to understand which artists I actually like and possibly even broaden the number of songs Spotify would feed me when I opened the app, as opposed to just repeating my 15 most recent tracks over and over. (I don't think that second part worked; I love the AI "DJ" feature but he was always just feeding me the same dozen songs, as if they were the only ones I'd ever need.)

One of the firsts bands I tried this experiment with was Chicago - one of my all-time favorites - but I'll be honest: I couldn't do it. First of all, they have so many albums. It would have taken me all year, probably. And secondly, a bunch of their albums are live recordings and the amount of screechy freestyle guitar solos that were assaulting my eardrums was truly surprising. Less overwhelming, however, were the following artists, whose discographies (excluding some "greatest hits" releases, the songs of which I had already heard) I listened to in their entirety:

  • Weezer
  • The Goo Goo Dolls
  • Muse
  • The Killers
  • Benson Boone
  • Train
  • Coldplay
  • Fountains of Wayne
  • Bob Seger
  • The Strokes
  • Big Bad Voodoo Daddy
  • OneRepublic
  • Cold War Kids

Also, doing a baby playlist surely boosted my stats this year. More on that later, of course, but it was a daily excuse to get at least a few minutes of listening in.

Spotify Being Weird

I have no idea what the heck Club Seratonin is, but 18% of Spotify listeners are right there with me. And telling me that my "Listening Age" is 76 is just straight-up insulting. Ok, I'm sorry that I listened to Elvis and The Beatles, but don't try to act like I was born in 1950, guys. Come on now.


Top Artists

Spotify says that I listened to 493 artists this year (don't know if that's actually true, but 47 less than last year, for what it's worth), and these were my top five:


  1. Weezer: Not a surprise here. Weezer has been my favorite band since high school and, as the record shows, my top artist every year that I've been doing these blogs except for one. The fact that it was the 30th anniversary of the "Blue Album" only added fuel to the fire. Long live Weezer.
  2. Coldplay: It was the summer of Coldplay, was it not? The memes were hysterical and the Coldplay Kiss Cam became one of the funniest things of the entire year. Heck, even I was caught on a Coldplay Kiss Cam while running the social media for FanX Salt Lake Comic Convention in September. I can report, as indicated earlier, that Coldplay did produce a few other hits after "Viva La Vida," despite all those pop super-hits like "Paradise," which turned me off from them for a few years.
  3. Train: Let me say: Train is excellent live. I've seen them twice and they put on a great show. I mentioned that I skipped a lot of "greatest hits" albums, but I did listen to Train's because their best stuff is really, really good, and they have a lot of fun with their audiences. Would recommend.
  4. Muse: Maybe Muse just had a really long discography or something because I'm a bit surprised that they landed at #4 this year. Their music takes me back to my college days, and their albums "Black Holes and Revelations" and "The Resistance" are tremendous. 
  5. The Goo Goo Dolls: I don't know what the heck was going on when The Goo Goo Dolls recorded their first studio album (I almost typed "stupid album," which would have applied) because it was HORRIBLE. I actually had to pull up Spotify to make sure that I was listening to the right band. But after that, they pulled a 180 (I don't know if they swapped out some band members or something) and produced some classic stuff. "Dizzy Up the Girl" is an all-timer.

Analysis: Awesome, like it. It is interesting to note that bands 2-4 all changed from last year; only Weezer stayed on the leaderboard.

Top Albums

Listening to full albums was kind of my thing this year, but these albums stood tall:


Analysis: It's funny that Weezer's "Blue Album" made the list twice. "Weezer 30" was the special 30th anniversary edition, which I cranked at almost full blast while building a bunk bed for my boys. In fact, Spotify made a special note of that night in August, which was a fun reminder. It's also interesting to see how much of a difference listening to "All My Love" by Coldplay made, in terms of album listening time, because there's no way that I actually listened to "Moon Music" that often - probably just once, from start to finish, and then that single like 39 times (no joke, I think that's the number).


Top Genres

Here are what Spotify identified as my top genres of the year:


I had to Google "AOR." It means "album-oriented rock," and some bands associated with that genre include Journey, Foreigner, Styx, REO Speedwagon, Boston and Heart, so I guess that's pretty accurate. I learned something new today.

Analysis: Accurate. I'd probably have put oldies above pop, but I guess that all comes down to how those genres are being defined, which I'm not privy to.

Other Fun and Notable Songs in This Year's Top 100

Shoutouts to some great stuff that didn't make the top 10:

  • "Da Vinci" - Weezer (#13; another song that contributed to "Everything Will Be Alright in the End" being my top album of the year)
  • "The Lotto" - Ingrid Michaelson (#15; a cute song from the baby playlist - honestly surprised this one didn't crack the top 10)
  • "Beautiful Things" - Benson Boone (#19; it was a big summer for Brother Boone, and I went out of my way to educate myself)
  • "Someone to You" - BANNERS (#27; I remember snuggling my oldest son, who was there for almost every song of the baby playlist, to this song - I think he might have even asked me to play it twice)
  • "St. Elmo's Fire" - John Parr (#28; this one is becoming a standard on my Spotify Wrapped)
  • "Carried Me With You" - Brandi Carlile (#29; from the "Onward" soundtrack - a song that will always remind me of my kids)
  • "Doctor Worm" - They Might Be Giants (#30; right up there with "Who Needs Sleep?" in terms of songs that my boys unexpectedly loved)
  • "MMMBop" - Hanson (#36; I'm honestly sad and surprised that this song wasn't higher - it was the butt of many jokes in the 90s, but we can't deny its lasting power)
  • "Peace Train" - Cat Stevens (#49; my oldest loved this one, along with the animation of a "flat man" with a bird that appeared on the Spotify app while it was playing)
  • "I Will Wait" - Mumford & Sons (#59; one of the most interesting time signatures of any song out there)
  • "Time is Running Out" - Muse (#60; a dark horse contender for Muse's best song? - is that aggressive?)
  • "...Baby One More Time" - Tenacious D (#68; the cover song we never knew we needed)
  • "Classical Gas" - Mason Williams (#74; "I need two men!" - IYKYK... and when my wife asked why it was called "Classical Gas," I had no idea what to tell her)
  • "Right Here Right Now" - Jesus Jones (#85; a blast from the past)
  • "Invisible Touch" - Genesis (#90; featuring one of the greatest key changes of all time)
  • "Pokémon Theme" - Pokémon (#100; heck yeah - raising my kids right!)


Bonus Tracks

There are always a few songs that are conspicuous by their absence. In the past, I've condensed my top 100 songs into a 50-song playlist and added a couple bonus tracks. There were two songs this year that I was surprised to not see in the full Spotify playlist:

  • "Welcome to Paradise" - Plain White T's (a cute song that I found for the baby playlist)
  • "The Final Countdown" - Europe (a song we played to hype up our oldest son on the way to his soccer games)

Condensed Playlist

Speaking of that condensed playlist, here are 52 of my favorite songs from the year (including those two bonus tracks), embedded for your consumption and enjoyment:


Songs for Corey

We welcomed another baby into the world this September and, as I did for my other two boys, I threw together a playlist for him while he was still in the womb. Some parents read or talk to the baby, I communicate through Spotify, I guess. Now, when I did this for the first kid, I didn't know this was going to become a tradition, nor did I realize how hard it would be to continue doing what I've been doing. The concept is this: I play one song each night for 75 nights, leading up to the birth of the baby, all of the songs must contain kid-friendly lyrics (i.e., no inappropriate references to romance, no mention of alcohol or drugs - stuff I could listen to with the child without blushing), with no duplicate artists in a single playlist and no repeated songs across any of the playlists. This is to say that I can't play "Better Together" by Jack Johnson twice on the same playlist, but I can play different songs by Jack Johnson for each child. There are only so many songs by some of these artists that you can play for babies! It got tough! So I had to get creative.

Here are some fun facts that I dug up upon completion of Corey's playlist:

  • The three playlists I've made for my boys contain 225 different songs from 156 different artists. No artists are repeated on a single playlist, and no songs are duplicated across any of the three playlists.
  • Nineteen (12%) of the artists are featured on all three playlists (Barenaked Ladies; Billy Joel; Bob Seger; Chicago; Coldplay; Creedence Clearwater Revival; Earth, Wind & Fire; Elton John; Elvis Presley; Goo Goo Dolls; John Mayer; Journey; Juanes; Kenny Loggins; The Killers; Queen; Three Dog Night; U2; Weezer)
  • Forty-two artists on Corey's playlist (56%) had not been featured on either of the other playlists.
  • Ten artists that were featured on both of the previous playlists were not on the third playlist.
  • At 4 hours 45 minutes, this playlist was the shortest (Griffin: 5 hours 13 minutes, Stockton: 4 hours 56 minutes)

Here is the full playlist, for those who are curious about which songs I added this time around. I found some really great songs - both by artists that I already knew and many that I had never listened to before. The songs on this playlist greatly altered my top 100 songs of the year and, thankfully, broke up what I'm sure has kind of been a monotonous streak of Spotify Wrapped playlists since I kind of get into a rut sometimes because I continue to listen to the same music I liked when I was in high school and college. Anyway, I hope you enjoy this and can find a few new songs of your own!


*****

And that will bring us to the end of another glorious recap blog. I love keeping track of these statistics, and I'm super grateful for companies and websites that make my weird hobbies easier to compile. If you've made it this far, bless your little heart! You might as well take a second to let me know what you spent your time listening to in 2025. Leave me a comment down below, follow me on Twitter (here and here), or hit me up on Facebook. I'd love to hear from you.

As always, keep it dialed here at Signs of the Times for all of the upcoming Year in Review blogs! We just got our Playstation stats the other day, but those will continue to update over the next few weeks, and we'll have recaps for Nintendo and audiobooks on the way here shortly, as well.

Until next time.

Thursday, November 27, 2025

The Rings of Saturn: The Obsidian Eye - Epilogue


"The Rings of Saturn: The Obsidian Eye" is a narrative retelling of a single-player Dungeons & Dragons campaign run by ChatGPT. Any images included in this post were created by ChatGPT's image generator, Sora, based on descriptions provided throughout the campaign, and the story was driven by AI and shaped by decisions made by a human and his dice rolls along the way.


Previously:


The silence after the battle at Ravencrest Estate was thunderous.

Far beneath the manor, where once stood a grand ceremonial chamber of illusion and ambition, now yawned a rift in reality itself — a jagged wound of violet light. The bodies of Lord Malrec and Lady Ravella Namarra were taken, swallowed by that impossible tear with a sound like ripping silk. No screams. No remains. Only absence.

Scholars would argue for years: annihilated, or cast into some shadow realm? But Alamir Greyhaven had seen the truth in vision. A crumbling tower, collapsing beneath the weight of its own lies. Lord and Lady Namarra were not merely banished. They were undone.

Within days, their estate was seized, their records erased, their raven crest carved off every stone. Vandros would remember them, but it would never again bow to House Namarra.

Ravencrest Estate stood quiet, returned to the city. No curses, no illusions. Just dust… and the faint echo of the sins committed within.

The Veiled Serpents collapsed the moment the Namarrans vanished. Without coin or direction, their ranks devoured one another in fear. Some fled. Some vanished. And Elira Morrin — ever the enigma — disappeared into the hidden passages beneath the estate, leaving only a ring and a scrap of silk in her wake. Whether escape or epitaph, no one could say.

Kaeriss Tal, the Whisper Fang, did not survive. Her shattered mask revealed elven features warped by decades of dark enchantment. Her death broke the Serpents’ spirit. The air of Vandros felt cleaner for it.

At last, peace seemed possible.

*****

The Warded Grove

As Alamir Greyhaven and his allies stepped into the early morning light — battered, bruised, but unbroken — the city seemed to exhale. Sunlight spilled across the rooftops. The breeze carried no secrets. No whispers. Just hope.

The Obsidian Eye — now nothing more than a pale, bewildered child — blinked up at the daylight as if seeing it for the first time. The ritual’s collapse had broken its chains. The boy’s obsidian gaze had softened; the vast, ancient presence behind his eyes had shrunk into something quiet. Something human.

He was taken not as a weapon, but as a soul in need of healing. Alamir left the child in the care of the clerics at Vandros' warded grove, and he visited him often, speaking softly amid the rustling enchanted willows.

One morning, the child looked at the hero of the now-infamous "Swan Duel Riot" and asked: “Is it over?”

“Yeah, kid,” Alamir said gently. “It’s over.”

The boy hesitated — then confessed, “I feel… small.”

“Good,” Alamir smiled. “Small is a start.”

He wanted a name — one he chose, not one forced upon him. He became Kolton.



Weeks later, a humble mage couple, Thessaly and Thom, offered Kolton a home of warm dinners and festival nights instead of prophecy and fear. When Alamir heard the news and first visited the boy at his new place of residence, Kolton surprised Alamir with a sudden, fierce hug. Alamir returned it without a word.

He watched the boy walk down the sunlit path toward his future… and smiled. Kolton would be all right.

A familiar silhouette leaned against a tree trunk — broad-shouldered, arms crossed.

Kerret.

“You planning to sit around and get sentimental all day,” he rumbled, “or are we going to see what we actually changed?”

Alamir rose, brushing dew from his coat. “Lead the way.”

Side by side, playwright and crooner stepped into a city waking to freedom.

*****

Vandros

Vandros felt different. No banners. No parades. Just… ease. Guards smiled. Vendors shouted with genuine cheer. Children played without glancing over their shoulders.

House Namarra was ash. The Veiled Serpents were smoke. The vanquished Maelstrom Syndicate was an old memory. And still, Vandros stood.

By the fountain, a voice like honey dipped in sarcasm chimed: “Well, well. If it isn’t the Rings of Saturn.”

Lady Seraphina — a woman whose life was saved by Alamir Greyhaven during the explosion at the Namarran Vault — emerged from her carriage, immaculate as ever. Kerret muttered. Alamir smirked.



“You survived,” she said, arching a brow. “Miraculously, without causing the catastrophe yourself.”

Alamir chuckled. “Ah, Seraphina. Let us not forget that I saved your life.”

“And you’ve brought it up endlessly ever since.” A pause — brief, sincere. “But… you were right. About all of it.”

She lifted her chin. “I still won’t join your little adventuring club. Far too many balls to attend — political and otherwise. But should you ever require discreet funding for something dangerously scandalous…”

A wink. A flourish of her parasol. A slam of the carriage door. And then she was gone.

Alamir shook his head, smiling despite himself.

*****

Vessa's Apothecary

Vessa’s apothecary smelled of herbs, sunbeams, and trouble. As she examined the swirling black vial Alamir presented, her eyes narrowed.



“This isn’t toxin,” she murmured. “It’s Ebonheart Essence. Soul-binding. Shadow-forged. This might be how the Namarrans stabilized the Obsidian Eye. Too volatile to store. Too powerful to waste.”

Kerret grimaced. “Love that for us.”

Alamir pocketed it with a shrug. “I’ll think about it.”

But his next words were serious. “I want to build something. Headquarters. A fortress. Somewhere safe. Somewhere we can plan our future.”

Vessa’s lips quirked. “With room for an alchemy lab?”

“Maybe,” Alamir said innocently.

She met his gaze, measuring him. Then: “Yeah. I’m in. On one condition.”

A smirk. “I get naming rights for any explosive cocktails we invent.”

Before leaving, Alamir leaned in, murmured something just for her, and kissed her lightly on the forehead. When the door closed behind him, she stared at the spot where he’d been and whispered,

“Trouble always did have good taste.”

*****

Brillane's Trunk

The bell jingled as Alamir and Kerret entered Aelith’s costume shop. She looked up — elegant, radiant — and immediately rushed over.

“What on earth happened? Tell me everything!”

Kerret launched into a dramatic retelling of the masquerade, puffing up his chest theatrically. “Ah, yes. The Swan Duel. A tour de force of indulgence and melodrama. Quite the splashy finale, Alamir. I laughed. I cried. I cringed.”

Aelith crossed her arms, amused. “You cringed?”

“He wept,” Alamir corrected.

Aelith laughed—then gasped as Alamir handed her the cleaned costume from his Jules Ferrowin persona. “I even washed the blood out,” he said proudly.

She clutched it like treasure. “This goes right next to your opera garb — the set you two wore when you ended the Maelstrom Syndicate. I might need to build a whole new mannequin just for this one.”

Then she noticed… something.

“Why,” she asked slowly, “is there a line of nobles outside my shop?”

Kerret winced.

“I may have shouted something about ‘Wigs of Glory’ during the masquerade,” he admitted.

“And I,” Alamir added, “…might have plugged your store onstage.”

Aelith stared at them.

“We brought friends,” Alamir said. “They’re not just here for wigs — they want costumes, glamour, status. You’re the hottest name in Vandros right now.”

The stunned expression on Aelith’s face quickly melted into gleeful disbelief as she darted to the window. “They're here for me?”

“They're here for the only designer bold enough to clothe the heroes who toppled a dynasty,” Alamir said, placing a hand on her shoulder.

Outside, nobles waited impatiently—purses ready, wigs demanded.

Aelith sighed.

The doors burst open and the masses rushed in, eager to grab the best clothing and costumes that Brillane's Trunk had to offer.

In the chaos of the shop, Alamir found a rare quiet moment to pull Aelith aside. He spoke softly, but with conviction. “I’ve got a dream. A headquarters. A real place for me and my allies to regroup — somewhere safe, somewhere permanent. I want you to be a part of it. I know your business is booming, and you may not be able to just pick up and go. But maybe... maybe you’d consider becoming a business partner? You could send costumes our way, outfit us for missions, even name a room in the place.”

Aelith raised a brow. “I get naming rights of one of the rooms.”

“Just one?”

“And you show up for promotional events.”

“Occasionally.”

“And you wear what I send you.”

“I always do,” he said with a wink.

She considered it for only a moment before nodding. “Deal.”

Kerret, pretending not to tear up, clapped them both on the back. “A true business arrangement — sealed with ego, style, and a completely unrealistic supply chain.”

Aelith smiled and pulled Alamir into a tight embrace. “You know I’m coming to visit you. Twice a month. No less.”

He kissed the top of her head. “You’ll see us again soon.”

She smirked and turned to Kerret. “You, crooner, don’t think you’re getting out of here without a hug too.”

In the end, Aelith chose to remain in Vandros. Her store — her empire — was finally flourishing. But even as the line of nobles snaked around the block, it was clear: this wouldn’t be the last time Alamir Greyhaven, Kerret the Crooner, and the incomparable Aelith would cross paths.

*****

Alamir's Safehouse

Even in the dawn of a new age, Vandros hummed with its usual rhythm—wagons rattling across uneven stone, harbor bells tolling in the distance, gulls cawing from chimney tops—but it all felt muted, softened, as Alamir and Kerret stepped into their hidden safehouse one last time.

The familiar creak of the floorboards. The dried herbs hanging above the hearth. The half-empty bottle of brandy on the table. It hit all at once — nostalgia, relief, and the strange aftertaste of victory.

Kerret lingered in the doorway, surveying the room like an old friend he’d outgrown. “Think I’ll miss this old dump,” he muttered. A beat. “Not much. But a little.”


He tossed his pack onto a bench with a thud.

Alamir moved silently, gathering what remained of his life as a rogue-on-the-run—maps, disguises, pockets of enchanted nonsense that only he understood. For a long while, there was only the soft rustle of gear and the occasional clink of metal.

Then Kerret froze.

“Uh… did you leave this note here?”

He pointed toward the far corner. A single cream-colored envelope had been tucked beneath a cracked tile. The seal was unmistakable: a rose bound in silver lace.

Seraphina.

Kerret broke the seal with flourish and cleared his throat theatrically.

“Dear Mister Greyhaven (or shall I say Jules Ferrowin, depending on which scandalous title is most profitable at the moment)…

I trust you’ve emerged alive—preferably with flair—and perhaps, scandalously, with more heroism than expected.

You did save my life, after all.

Vandros is quieter in your wake, though I doubt the peace will last. Consider this a parting gift… or a down payment.

For future debts. Of the emotional kind, let’s say. Do spend it outrageously.

Yours, conditionally,

Lady Seraphina Talandra of High Viremont

Baroness of the Rose Terrace, Keeper of Appearances, etc., etc.”

Kerret pulled a velvet pouch from the envelope — 1,000 freshly minted gold pieces — and beneath them, a silken handkerchief, monogrammed "S.T.," perfumed faintly with roses and intrigue.

Kerret snorted. “A keepsake? Wow. You really did make an impression.”

Alamir tucked the handkerchief away with a crooked, knowing smile. “She’s just making an investment. In future scandals.”

He let the note fall closed between his fingers. “Thanks, Seraphina.”


The Nighthawk

The Nighthawk Tavern leaned crookedly under the weight of a hundred stories. Its sign — an ink-black bird mid-dive—swayed gently in the noon breeze. For rebels, rogues, and the occasional opera star, it was practically sacred ground.

Alamir stood outside with Kerret, cloak slung over his shoulder. His satchel bulged suspiciously — opera gloves, stolen pastries, and something that was definitely beginning to smell.

“You think they’re gonna show?” Kerret asked.

“Or is this another ‘Alamir waits while the ladies arrive fashionably late’ situation?”

Almost on cue — they arrived.

First came Vessa on a chestnut mare, dismounting with easy swagger. “Couldn’t let you idiots go headquarters-hunting without your secret weapon,” she said, tossing her braid. “And I still want my alchemy room. Reinforced walls. Labels optional.”

Then Lysandra emerged from the alley like a whisper turning into a woman. Shadows clung to her like loyal pets. “Didn’t want you to get lost without someone competent,” she said dryly.

Ember arrived last, naturally — red hair wild, leather armor perfectly imperfect. She slapped Kerret so hard he nearly swallowed his tongue. “I was promised danger, drama, and real estate,” she said, grinning. “Don’t disappoint me.”

She winked at Alamir with enough heat to warp a doorknob.

For a moment, it seemed Lady Virelle Cindara might not appear — until a black-and-gold coach rolled up like a traveling proclamation.

She stepped down in a tailored riding ensemble — raven-black trim, crimson cloak, dagger at her hip gleaming with aristocratic menace. “Did you truly think,” she asked, “I’d let you build a headquarters without elegance? Or funding?”

Her coach contained a magically sealed chest of platinum and jewels — 2,500 GP, her inheritance invested in the future.

A velvet note read:

“I want the library named The Cindara Study, or I walk.”

Vessa let out a low whistle. “Well, if she’s throwing platinum around… fine. Another 500 gold from me. But I want a rooftop garden for moonlit reagents.”

Lysandra produced a small pouch — 250 gold — and tossed it to Alamir. “Hidden passages,” she added. “Non-negotiable.”

Ember spun a flame into the shape of a coin. “I’m broke,” she said cheerfully. “But I’ll charm the contractors, light the magical torches, maybe heat the baths.” She executed a sweeping bow. “My contribution is charisma.”

Alamir looked around at the strange, magnificent family he’d gathered — his allies, his chaos-makers, his heart. “With my own contributions,” he said, “and the favors I’m owed across Vandros… we’re sitting at over 9,000 gold.”

Eyes widened. Whistles escaped. Somewhere, a contractor sensed profit.

“We’re not just buying a hideout,” Alamir continued. “We’re building a legacy.”

The wind stirred — light, warm — almost like the city itself was exhaling.

Kerret whooped.

Virelle smirked with regal satisfaction.

Vessa was already budgeting for dragon-bone countertops.

Lysandra grinned from the shadows.

Ember spun fire between her fingers, watching him with a gaze equal parts admiration and trouble.

And with perfect Alamir timing, he lifted his hands and proclaimed: “No kisses, thank you. I’m far too humble for that. You’re all welcome.”

Chaos, laughter, groans, and applause erupted.

They gathered their things, stepping onto the road that led away from the Nighthawk and toward something new—something theirs.

Alamir looked back over his shoulder with a grin: “I’ve also decided on a name for the party:

Alamir Greyhaven — The Rings of Saturn, himself…”

A pause. A flourish.

“And… The Saturn 5.”

More groans. More laughter. No disagreement.

The sun climbed higher. The city breathed deeper. And with boots on stone and hearts alight, their next great adventure began.


The scene fades to black.


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Wednesday, November 26, 2025

The Rings of Saturn: The Obsidian Eye - Part 4


"The Rings of Saturn: The Obsidian Eye" is a narrative retelling of a single-player Dungeons & Dragons campaign run by ChatGPT. Any images included in this post were created by ChatGPT's image generator, Sora, based on descriptions provided throughout the campaign, and the story was driven by AI and shaped by decisions made by a human and his dice rolls along the way.

Previously:


Beneath Ravencrest Estate, Vandros

The cobbled floor beneath Ravencrest Estate was heavy with condensation, the air damp with secrets. Ancient stones stretched in forgotten patterns beneath the city’s gilded mask. Pipes dripped overhead like rusted veins, funneling warmth and silence toward the vault’s black heart. One by one, torches sputtered awake, throwing jagged shadows across polished obsidian walls — each one gleaming like it had been wiped clean by obsessive hands.

The Veiled Serpents limped in — bloodied, furious, and desperate. Only two survived the masquerade attack, their bodies bruised and their pride splintered. Elira Morrin, untouched but storm-eyed, strode beside them. She’d escaped the ballroom prior to the carnage, forcing her to piece together its aftermath from frantic whispers and coded blurts.

Waiting for her was Kaeriss Tal — the Whisper Fang, high priestess of the Serpents and their coldest knife. She moved like smoke made of silk and murder, her floor-length cloak shimmering with embroidered serpents that flickered green and violet. A porcelain-white mask hid her face, marked only by a single red slash across the mouth — a warning that her words cut deeper than blades.



Kaeriss turned toward them with ritual poise, her voice smooth as distant thunder.

Elira bowed her head. “We were ambushed. The rogue — Ferrowin, Greyhaven, whatever he calls himself — he’s rallying the city. He knows.”

Kaeriss didn’t flinch. “Let him come. It is too late. The Eye has awakened.

At the far end of the chamber, a massive arcane gate pulsed with dull, malignant light. Black veins crept from its base, twitching with a slow, rhythmic beat — like something ancient and unseen breathing beneath the stone.

A golden-cloaked attendant stepped forward, voice sweet and rotted.

“House Namarra will see you now.”

Three figures materialized through drifting enchanted smoke — the heads of House Namarra, dressed not in courtly refinement but ritual severity.



Lord Malrec Namarra stood gaunt and parchment-dry, wrapped in black velvet trimmed with iridescent feathers. Ink stained his fingers. Hunger sharpened his eyes. His crown of black gold curled like claws around his skull.

Beside him glided Lady Ravella — elegance honed into cruelty. Her silver-blue gown moved like moonlit water. Her emerald eyes glinted with surgical coldness above an obsidian choker carved with chained glyphs.

Together, they looked less like nobles and more like matched weapons.

And behind them… stood child.

Barefoot. No older than twelve. Skin pale as candle wax, streaked with faint black veins. Eyes wrong — whites dim and smoky, pupils bottomless obsidian pits. Light flickered behind their eyelids like fractured timelines.



The child said nothing. Moved nothing.

But the room leaned toward them, as if gravity bent in their favor.

This was the Obsidian Eye. Not a relic. Not a conduit. A being — a seer raised by the Namarrans and awakened by the explosion that Alamir Greyhaven ignited.

Malrec’s voice rasped like dry leaves scraping stone. “Vandros is ready to break. With the Eye awakened, its future is ours to rewrite.”

Ravella gestured toward the gate. “The Obsidian Eye is not wielded. It is obeyed.”

The child stepped forward, silent as a doom already written.

Malrec’s tone grew reverent. “Every rebellion anticipated. Every betrayal unwritten before it begins.”

Kaeriss’s voice slid low and final. “But the Eye remains unstable. It requires a final tuning — a sacrifice of will.” She lifted her chin, her masked face aimed toward the gate. “The death of the one who unsealed the vault.”

Her gaze cut across the flickering torchlight. Footsteps echoed from the tunnel beyond. A dim lamp glow. The scrape of boots.

And then the five descended: Alamir Greyhaven — still dressed as "Jules Ferrowin," clothes torn and blood-smudged; Virelle, blade drawn and eyes narrowed; Lysandra, falcon mask streaked with light blue; Ember, humming with suppressed fire; and Kerret, grinning through bruises and gripping a broken chair leg like divine retribution.

Midnight pressed in around them.



Alamir paused near the gate and turned to Virelle. “What are we walking into?”

Virelle didn’t answer at first. Her blade hung low, ready, her grip tightening. Her sharp posture softened with unease as she studied the black residue smeared along the walls.

Finally, she whispered, “Power, Alamir. It’s always power in the end.”

She exhaled slowly, voice dropping into cold clarity.

“The Namarrans weren’t just aristocrats — they were occultists. Archivists of forbidden truths. Their reputation wasn’t gossip. It was warning.” She gestured to the scorched glyphs beneath the soot. “This is old. Ancient. A pact.”

Then she leaned in, voice barely above breath. “The Veiled Serpents don’t work for coin. They follow prophecy. Which means the Namarrans promised them something. And now the Obsidian Eye sits in the center of it.”

Virelle hesitated — a rare fracture — before continuing. “I don’t know what the Eye truly is. But before House Namarra fell, I read scraps in the vaults. References to something unearthed, not born. Sealed away generations ago. The vault you opened?” Her gaze fixed on him. “It wasn’t a treasury. It was a cage.”

Silence. Heavy. Suffocating.

“If the Eye is awake, they don’t want to rule Vandros… they want to rewrite it.”

Behind them, Ember drew a sharp breath. Lysandra muttered a curse. Kerret chuckled darkly. “By Kier’s crooked teeth… we’re walking into the end of the world, aren’t we?”

The vault gate groaned. The machinery shifted beneath their feet.

The Namarrans waited. The Serpents waited. And somewhere in the dark, the Eye watched.

Alamir spotted a near-invisible tripwire. Lysandra disabled it with swift, practiced fingers. The way opened. Beyond lay a cold stone corridor humming with distant voices. Alamir spotted two possible approaches — a direct path or a shadowed detour. His jaw set.

“We go for the Eye. Whatever happens, we stop it.”

They moved like ghosts. Alamir eased aside a stone slab and peered through a slit.

There they were — the whole nightmare laid bare. The masked priestess. The aristocratic monsters. Elira Morrin. And the child—those abyssal eyes swallowing time whole. A weapon of fate dressed as a child.

The insurgent rebels readied themselves. Kerret’s grin hardened. Ember’s fingers glowed. Lysandra’s stance sharpened. Virelle’s grip steadied. Alamir listened at another crack in the stone.

“Timelines diverging… threads tightening…”

“…as if they could stop what’s already seen.”

Then a whisper — inhuman and cold:

“…the Eye sees them already… the Swan approaches…”

No more time.

Lysandra cracked the gear lock on the first try. Alamir led them into the chamber. Shadows coiled. Torches spat. The scent of myrrh and burnt sage clung like a curse.

Alamir and Virelle moved first — predators in velvet darkness. Two wounded Serpent thugs guarded the edge. Perfect. Alamir struck first — rapier flashing like a vow. His target dropped without a sound. Virelle’s blade whispered once, and her target folded before breath could become alarm.

Silence held. The final confrontation waited.

Alamir stepped from the shadows, rapier gleaming like judgment. Virelle flanked him, gown whispering like smoke. Lysandra hovered at his back. Ember burned beneath the surface. Kerret loomed like a storm with a wooden club.

The heroes stood united — fire, steel, shadow, fury, and sheer stubborn will. Across from them, their enemies rose in full, unmasked corruption.

Malrec’s feathered mantle rustled like carrion wings. Ravella’s smile sharpened to a knife. Kaeriss glided like poisoned fog. Elira watched with predator stillness.

And in the center, the Obsidian Eye stared — silent, timeless, inevitable.

Alamir stepped forward, voice low and iron-steady. “This ends now. For Vandros. For the ones you silenced. For the ones you think you’ve already beaten.”

The torches flared. And fate held its breath as the final reckoning began.

*****

But the chamber did not stay silent for long. Lord Namarra began speaking into the shadows, knowing that Alamir and his party had arrived.

"Ah… Mr. Ferrowin. Or should I say... Mr. Greyhaven. Yes, yes. Come closer, Alamir. Meet the Obsidian Eye.

"Such trembling whenever the name is spoken. Such reverence. Such... ignorance. Youd believe it to be a relic, perhaps? A gemstone? Some spellbound artifact? No, no, no… You have never grasped the truth.

"The Obsidian Eye is no mere object. When the Veiled Serpents tore open the fabric between realms to glimpse the future that had been denied them. They expected revelation. Apotheosis. Power beyond imagining. Instead, what stared back… was this: a consciousness ancient enough to have seen the first stars ignite. A mind fractured into a thousand reflections of what might be, and what must never be. A being that exists only as observation — and the more it sees, the more it hungers.

"They called it the Eye because that was the closest word your fragile tongues could manage. But understand: it does not look. It devours possibilities. It sifts through timelines like sand, selecting the few outcomes where it endures… and erasing the rest.

"And now, through its chosen vessels — the prophets, the dreamers, the marked ones like this frail child — it whispers. It shapes. It guides. Every war, every shadow organization, every ‘coincidence’ your historians fail to explain… the Eye has steered them to one end: a moment where it will no longer peer through cracks and fractures… but will step through.

"You thought House Namarra served the Eye. How quaint. We do not serve. We merely stand where history is about to break… so that when the Eye opens fully, it will find me already waiting.

"I hope you enjoyed this evening, Mr. Greyhaven, because it will be your last."

And then the child known as the Obsidian Eye raised both arms and let out an ear-splitting scream — a shriek that sounded like it could rend eternities and the fabric of space.



A low rumble crawled through the stone — a deep, ancient groan as if the city itself exhaled after holding its breath for a century. Dust shook loose from the vaulted ceiling. Cracks spidered outward from the shattered obsidian ring where the child had stood moments before.

Ravencrest Estate was crumbling. Violent spells began to fly around the dark stone chamber, manifesting the panic and chaos that had become so pulpable in the room.



Virelle staggered back, her eyes widening as she ducked for cover. “The building—it's destabilizing! Get away from the ring!”

Kaeriss Tal hissed a curse in a language that predated Vandros itself. Her mask fractured down the center like an eggshell split by pressure. For the first time, her poise collapsed.



“No… no, this was not the design.” She reached toward the child with clawed fingers. “The Eye was meant to be contained—!”

Lysandra’s blade flashed like a falling star. Kaeriss never finished her sentence.

The masked priestess hit the stone with a soft, final thud, her blood joining the obsidian dust swirling in the air.



Behind her, Lord Malrec Namarra clawed weakly at the air, his arcane reservoir drained, his grand schemes turned to ash.

“You fools… you have no idea what you’ve—”

A beam cracked loose from above, slamming into him and cutting his words — and spine — in half.

Lady Ravella shrieked, her necromantic glamour peeling away in ribbons of smoke. She reached for her husband, or perhaps for her power, or perhaps simply for anything.

None came. The collapsing chamber swallowed her in a gaping maw of stone and shadow.

The Namarrans — founders of legends, architects of conspiracies, rulers of Vandros’s underworld — were erased in minutes, claimed not by justice, but by the very power they had failed to control.

Elira Morrin watched it happen, pale and wide-eyed in a way Alamir had never seen. Her daggers hung at her sides, forgotten.

“The Namarrans are gone,” she whispered. “The Serpents… without them, we—” She stopped — not out of fear. Out of realization. Freedom. Something changed in her face. Something dangerous, but not cruel.

“We are no one’s shadow anymore.” Elira said. She met Alamir’s gaze. “Take the child. Go. This place wasn’t meant to survive tonight.” Then she vanished into the dust and ruin — as though she had never been there at all.

The ground buckled. Pipes ruptured. Arcane chains snapped like overstretched tendons. Heat surged through the collapsing stone as Ember, trembling and soot-covered, heaved a blast of fire to clear a falling slab.



“MOVE!” she shouted, grabbing Lysandra’s wrist and dragging her toward the exit tunnel.

Kerret hoisted Alamir with one arm and held the child steady with the other. “I swear if one more rock hits me I’m suing the city,” he coughed, ducking under another cascade of debris.

The Saturn 5 sprinted through the cracking corridor — half-falling, half-fighting their way through the storm of stone.

Alamir held the Obsidian Eye close, shielding the frail body with his own. The child did not cry. Did not tremble. Only watched him with those fathomless black eyes.

A question lingered there. Something fragile. Maybe even trust. Alamir grabbed the child and made a break for the moonlight that seeped through the crumbling walls.

*****

They burst from the vault moments before the tunnel collapsed behind them, sealing the ancient chamber forever beneath the ruins of Ravencrest Estate.

Outside, the cold dawn air hit them like a baptism. They sprawled across the grass, coughing, bleeding, shaking, laughing — because they were alive, unbelievably alive.

Virelle fell to her knees, breathing hard. “It’s done,” she whispered, staring at the rising sun. “It’s truly over.”

Lysandra leaned back on her elbows, eyes wet. “I’ll believe that when we get three days without someone trying to stab us.”

Ember flopped beside her with a groan. “Three days? Dream big. Try one.”

Kerret sank to the ground like a felled tree. “I’m not moving. This is my home now. Bury me here.”

Despite himself, Alamir laughed — tired, raw, human.

He held the child in the crook of his arm, brushing dust from their pale skin. “You'll be ok, little one. You'll be ok.”

The Obsidian Eye blinked once. And for the first time, their eyes softened.

No visions. No shadows. No unfathomable futures. Just a child, alone and confused.

Alamir wrapped his cloak around them both. “We’ll figure out what comes next. Together.”

As the sun climbed over Vandros, illuminating the shattered estate, the five heroes and the pale child stood slowly — bruised, bleeding, but united.

The Namarrans were finally gone. The Serpents were broken and dispersed. The Obsidian Eye had spared them — had allowed them to keep this reality. Veins of morning light spread across the land like new branches on an uncharted future.


To be concluded...


Epilogue

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