"The Rings of Saturn: Fall of House Namarra" is a narrative retelling of a single-player Dungeons & Dragons campaign run by ChatGPT. The images included in this post were created by ChatGPT's image generator, Sora, based on descriptions provided throughout the campaign, and the story was driven by AI and shaped by decisions made by a human and his dice rolls along the way.
Previously:
Warehouse 9, Dock Twelve, Vandros
Kerret and I arrived at Dock Twelve under the hush of twilight fog, where
ship lanterns bobbed like fireflies on leashes and the tang of salt and soot
clung to every surface. We kept to the shadows, just as Aelith had advised. We
scoped out the warehouse first, confirming the subtle chalk mark on the back
wall of Warehouse 9—the one that scoundrel Tovin promised he'd leave behind if he'd done his
part.
He had. I was proud of him.
We found the concealed side tunnel easily enough: a half-rotted drainage
path tucked behind a collapsed crate pile. It smelled like mildew and bad
decisions, but it opened into the warehouse basement like a secret invitation.
We slipped through—silent, watchful, ready for anything.
That's where we first laid eyes on him: Big Jarek. Shadowy crime lord. Allegedly, a local boss of the Maelstrom Syndicate.
He was a mountain of a man—easily six-and-a-half feet tall. His hair was closely cropped on the top of his massive head, with the sides shaved even closer. His sharp, angular beard was meticulously styled into cruel, calculated lines. A tailored vest struggled to contain his bulk, and every motion hinted at coiled violence. He had the look of someone who smiled once and didn’t like it.
He stood with his crew in the middle of a gigantic room in the warehouse, surveying the space like an emperor. But we hadn’t gone through the trouble of obtaining custom-tailored opera costumes for nothing. We were going to put on a show for this man. So we walked in with confidence. We performed.
“Presenting,” I called out, arms raised dramatically, “the sensational, the spellbinding, the superb… Vandros’ very own opera sensation: Kerret the Crooner!” I applauded as I strode to the middle of the open room.
Big Jarek didn’t clap. But, on the other hand, he didn’t throw us out either. He sat there and watched our every move. If nothing else, it looked like we had his attention.
“Imagine, Big Jarek—you are ‘Big’ Jarek, aren’t you?” I mused. “I… I thought you would have been a little bit taller.” He stared a hole through my head.
“But no matter,” I continued. “My associate and I are here to offer you the chance of a lifetime: the opportunity to provide lyrics to what will soon become a chart-topping hit!”
I explained to him that we were writing a new piece: “The Obsidian Stone and Feather of Raven.” We said we’d come to him because we needed someone with grit, someone with street poetry, someone who knew the pulse of the underworld—and someone who knew about the raven symbols and light-absorbing stones that had been spotted around town, as of late. "Imagine it," I teased, hopefully. "Your name in lights!"
He stared at us like he was trying to decide whether to laugh or have us killed.
Then he said flatly, “You want my help writing your stupid songs? You'll have to earn it.”
He wasn’t impressed by my flair. Said he wouldn’t lift a finger unless we did a little job for him first—recover a few crates from an unmarked boat docked just behind Warehouse 9. We’d find trinkets, scrolls, paperwork—he was vague but firm. His men said the job had already been botched once.
I pushed back. Called him out. Said we weren’t errand boys. Even through a dagger at one of his cronies. (I narrowly missed but played it off by saying I could have killed him if I really wanted to.)
But in the end, Big Jarek got his way. I spun around, rolling my eyes as I did. I was getting a little tired of these wild goose chases that everyone seemed to be sending me on every time I needed something.
The Docks
Reluctantly, but with a sense of urgency, we slunk back out into the misty dark and crept along the dockside toward the
shadowed vessel. The crates weren’t hard to find—Tovin had gone the extra mile and left that subtle
chalk mark on these crates, as well. I thought about checking the crate for traps but ultimately trusted that Tovin did what we asked him to. We pried Jarek's box open right there in the belly of the fog.
Inside, we found a ledger, two sealed
scrolls—one labeled "Namarra" and the other marked simply "V"—and three mysterious glass marbles—I
pocketed one immediately. But the real treasure?Knowledge. A quick thumbing through the ledger spelled
it all out:
- House Namarra was neck-deep in the obsidian
trade.
- The Nighthawk tavern was sabotaged deliberately.
- There were also notes about Brillane’s Trunk—but one thing was clear: Aelith was no longer in danger; Tovin
had been "eliminated."
Deciding to press my luck, I quickly looked around the dock for any crates that Tovin
might’ve marked without telling Jarek. Sure enough, I found two more, which contained a black feather, a voice-steadying
tincture, and a fine engraving stylus, which I passed
to Kerret with a wink. I let him keep that throat potion, too—I had a feeling it would come in handy sooner than Kerret could spell "obsidian."
Warehouse 9
With no further ado, we returned to Jarek’s office with the goods.
He didn’t thank us when we gave him the ledger. He also didn't ask about any
of the other crates, which surprised us, but we counted it as a massive win—what he didn't know wouldn't hurt
him.
I cleared my throat. "Wonderful," I said, breaking the awkward silence. "Glad that we were able to make this happen for you, Jarek—pardon—Big Jarek. Now, as for the song, here's what we've got: it's going to be called 'The Obsidian Stone and Feather of Raven,' and, by Kier, it's going to be a smashing success. The only problem is that Kerret the Crooner over there," I gestured to my loyal informant and partner, "needs more information about this obsidian."
I laid out several questions:
- From whence did the obsidian come?
- Why, pray tell, had the obsidian reared its magical head here in Vandros?
- And why had House Namarra been dragged into this malevolent maelstrom of mischief?
Furthermore, I inquired about the symbolism of the raven and its feathers, as well as why the obsidian seemed to absorb any light that touched it. Big Jarek narrowed his eyes. He rubbed his chin. And here is what he said:
"I see where you’re going with this. A bit of flair, a bit of mystery. I can appreciate that. First off," he began, his voice becoming more serious, "The obsidian you’re so fond of didn’t come from anywhere ordinary. It’s part of a much older ritual, something connected to the lost art of the Maelstrom, an ancient organization that’s had its hand in every major event in this city’s history. The obsidian itself is drawn from deep within the Maelstrom's heart—the core of their influence. It's rare, incredibly rare, and not meant for the likes of us... or you," he added with a pointed look. "As for why it’s here in Vandros... let’s just say there’s a certain... alignment that has drawn it here. Pieces are falling into place. There’s a greater game at play than you or I."
Jarek stood up, pacing slowly as he continued, his voice steady and measured. "The raven and its feathers? That’s symbolism tied to a specific group within the Maelstrom—a kind of... cult, if you will. They believe the raven is a guide, a messenger between worlds. The feathers themselves are said to hold the ability to transport souls, to connect the living with the dead. As for why it absorbs light... Well, that’s a gift from the raven itself, a means of hiding its true power. In the wrong hands, it could do more than just absorb light. It could consume everything in its path... Anything else you're curious about?"
"No further questions at this time, your honor," I said with a thinly veiled trace of sarcasm. "All right, Kerret the Crooner, perhaps we could give Big Jarek the first performance of a song that people will be singing for ages to come!" I nodded to Kerret, tossing him the voice-steadying tincture.
It was showtime, baby.
I leapt up onto a stack of crates and broken wood, throwing my hands in the air like the ultimate showman... (Or so I had initially imagined in my head. I took a bit of a tumble once I got up there and had to steady myself quickly before making a complete fool of myself.) After a moment, I shouted—my voice positively booming—"Ladies and gentlemen!..." But I corrected myself after looking around the room and realizing that there were no women present. "Or, should I say, GENTLEMEN! I present the debut performance of 'The Obsidian Stone and Feather of Raven'!"
Kerret, always the consummate professional, raised an eyebrow at my theatrics, but with a knowing smile, he uncorked the voice-steadying tincture and took a swig. He cleared his throat and stepped forward with an exaggerated flair of his own, then moved to center stage in front of the group—his audience of hardened henchmen.
Kerret shook off any tension, letting the tincture do its job. His voice was smooth, controlled, and powerful, filling the room with a presence that seemed to demand attention. He sang, deep and rich, the lyrics to the song that he was miraculously composing, right there on the spot:
In the shadow of the raven's wing,
Where light bends low and shadows sing,
A stone of black, of ancient might,
Absorbs the dawn and swallows the light.
At the sound of Kerret’s voice—enhanced by the tincture—the room fell silent, with even the toughest of Jarek’s men pausing to listen.
From deep within the Maelstrom's core,
A power untold, a tale of yore,
And in the grasp of raven’s feather,
A fate entwined, no soul could tether.
I watched in awe as Kerret burst into the final stanza, bringing the song to a swelling climax:
Oh, Raven guide and Obsidian Stone,
Your power reigns, your legend’s known,
In the darkness, we rise as one,
Until the night is finally undone.
I could feel my jaw drop in amazement. Kerret finished with a flourish, letting the last note echo in the room. He held the note for a beat, watching Jarek’s reaction carefully.
A small smirk spread across Jarek's lips. He leaned back in his chair, his hands steepled together, clearly impressed by the performance.
"Not bad, Crooner," Jarek said. At these words, the workers began clapping softly and muttering amongst themselves, some nodding in appreciation. It was an uncomfortable moment, certainly. But I let it linger in the air for a moment.
Then, dramatically, I raised a finger into the midnight air. I hopped down from high atop that stack of crates and broken wood, slightly stumbling as my feet touched down on the roughly cobbled floor. After momentarily scrambling to regain my confidence, I slowly started to walk toward Jarek.
"There's just one problem here, Big Jarek."
"One problem?" he asked, leaning back in his chair, fingers still steepled together. "Do enlighten me, my friend."
“You know, Jarek,” I said, pacing slowly across the floor, “I’ve been making friends in this city. Good people. Strange people. People who’ve been burned. Crushed. Scared.”
I called out Aelith, whose shop was nearly shuttered. The Nighthawk bartender, whose business was clearly tainted by this operation. That sharp-eyed kid in the streets and the homeless bum, Tallow, surviving by grit and grime. Virelle—beautiful, noble, radiant, and caught in this web. Even Kerret, who bore the bruises of this syndicate's cruelty.
“This city's suffocating,” I continued, “and you’re the hand over its mouth.”
Then I stepped closer, voice lowering. “But you said it yourself a few moments ago—you’re not the mastermind, are you? You’re not composing anything. You’re just playing the part written for you.” He glared, unmoved. So I twisted the blade.
“You’re not the maestro. You’re the marionette. And if you're not pulling the strings, what does that make you? Disposable.”
That got him. That one stung.
He leaned forward slightly, his enormous hands still steepled together, his eyes never leaving mine. "All these folks, they’re nothing but pawns in a game you don’t even begin to understand. But I do admire your spirit. It's why I haven’t killed you yet. You've got guts, I’ll give you that."
I smirked and quietly scoffed, right in his face.
"But if you’re so sure you can take on the Maelstrom Syndicate, then go ahead. Play your hand. But don’t be surprised if you find out that there are far worse things out there than me. Things that I would never dream of crossing."
Then, he leaned forward, his voice lowering to a near whisper, the menace in it unmistakable. "You have no idea what you're toying with." His voice was barely audible, at that point. "You think you’re just some clever rogue, playing at something bigger than you. But you don’t know the full picture. Not even close."
Without another word, Jarek turned and walked out—leaving us behind with four of his flabbergasted goons. Another uncomfortable moment.
I shrugged and gave them a simple offer: “Anybody want to dance? Or... we will let you live and you can walk right out that door, right now. You'll never have to come back here again, lads.”
A couple of them tried to throw some cheap verbal barbs at me, but I picked up chair and swung it right at the gut of the guy nearest to me. That woke them up a little bit, and before we knew it, they’d all surrendered. It turned out that they didn't really like working for Jarek that much, after all.
As they turned to leave, I made a demand. "Fellas... Give me all of your money." I think a couple of them thought about protesting, but it wasn't worth the hassle and they collectively handed over 15 gold pieces—yes, only 15 gold pieces. (They apparently don't pay their employees well, there at the Maelstrom Syndicate. Ridiculous.) Regardless, I split their own money right in front of them, giving 8 GP to Kerret and keeping 7 for myself. Kerret deserved the money. The man earned it. That was opera gold, after all.
“You guys really want to screw Jarek over?" I asked, raising an eyebrow. "Tell me where he’s headed.”
One of them—the guy I hit with the chair, still clutching at his abdomen—spilled it. Jarek was headed out the back tunnels, he said. Out toward Copper Row.
As the four poor chums turned and began to shuffle out, I asked if they'd ever heard Jarek speak of House Namarra’s vault. They went pale.
The skinniest guy said, "Jarek was arguing with someone the other day—one of those robed guys with the little tattoos under his eyes. Heard 'im say House Namarra doesn’t even know what they’re guarding. Just that it’s old, and powerful, and was locked away a long time ago by people who were real serious about keeping it that way. Jarek's actually terrified of it."
Then the fat one piped up: "I heard him whisper to himself once. He said, 'It’s not just magic. It’s memory. Old memory. The kind that remembers you back.' I didn’t sleep for two days after that."
The room fell quiet again. Kerret slowly closed his notebook with a soft click. He looked at me, eyes wide, voice barely a whisper.
"…Maybe we don’t wanna go back to House Namarra."
But I could see it in his eyes: he knew we were definitely going to House Namarra, after we dealt with Big Jarek, permanently.
To be continued.