FanX 15 - "Great Scott!": Christopher Lloyd on the inspiration behind Doc Brown

One of my favorite parts about Salt Lake Comic Con FanXperience 2015 was the opportunity I had to sit on the front row during Christopher Lloyd’s panel on the second morning of the convention. The Back to the Future trilogy was a huge part of my childhood, so seeing Doc Brown, live and in person, was amazingly awesome for me. I just wish I would have been more prepared to snag a less-blurry picture of him holding up the iconic Mattel hoverboard (which he emphatically proclaimed “wouldn’t work”).

Now, it dawned on me about three quarters of the way through the panel that I should probably have been taking notes or recording some audio so I could blog about it later, so there’s some good news and some bad news here: The bad news is that I didn’t record or write down anything for about 40 minutes, but the good news is that I did record a couple answers that he gave toward the end of the hour.

One question that begged a noteworthy response was an inquiry as to the origin of Doc Brown’s eccentricity. For the sake of his reputation, with which I’m practically not even worthy to touch, I’m not going to paraphrase, sum up or adjust any of his response. I’ll simply include it all –starting at the point where I began recording – and let Mr. Lloyd take it from there. He began by talking about Albert Einstein, noting the wild hairstyle and vastly superior intellect and we’ll join his response right there, mid-sentence:

“…E = MC², and so forth… Extraordinary. Albert Einstein went on a travel across the ocean in a big ship liner and they found… Here’s the genius of his time… and they couldn’t find him; somehow he’d disappeared and they were worried about, “Where was he? What happened to him? Where’s Albert?” And they went down to the bottom of a hole, where, you know… the lowest people were living down there, who couldn’t afford… they were the bottom deck. And he was there, playing with a pinball machine. Who’d have thunk, you know? And the other image I had – I feel maybe I’m going on a little too much about this – was the… I love classical music. I grew up with it around the… [interrupted by applause] …And there was a great doctor by the name of Leopold Stokowski. He was a conductor with the Philadelphia Orchestra – wonderful – and he did a lot of innovative interpretations of Bach and other music… All right. There was a piece he did called ‘Planets,’ a classical piece, where each planet is described in music, describing that planet’s mythical association, like the planet Mars. Music was picked that was very ‘military’ and harsh. Venus, the goddess of love, etc… I had that recording and it showed the solar system on the jacket. This was back when you had records [laughs]… and Leopold Stokowski had his arms raised, with the baton in his hand… He had this shock-white hair coming behind him in his profile. That was a lot of my image of Doc Brown. I remember my father looked at that jacket and he said, ‘I’m sure he’s a great musician, but does he have to have his hair like that?’”

Seeing Mr. Lloyd was a once-in-a-lifetime experience for me. Let’s be honest, though he defied the laws of aging on-screen for so long, it was somewhat apparent to me that the guy is getting older. Who knows how much longer we’ll have him around? But, for the time being, I can say from personal experience that the man is a legend – a national treasure. His roles in movies like Back to the Future and Clue have provided me with years of laughter and enough classic one-liners to impress (and, likely, annoy) my friends for a lifetime. (…not to mention the fact that his role in Who Framed Roger Rabbit gave me nightmares throughout my entire childhood!)

Here’s to you, Christopher Lloyd! Thanks for the memories.