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Saturday, December 28, 2019

The Mandalorian Recap: S1E8 - Redemption


Spoilers incoming.


The return of IG-11! Peril at the hands of the treacherous Moff Gideon! Flashbacks! Force usage! Helmet removal! And a Darksaber! The Season 1 finale of "The Mandalorian" had no shortage of excitement, and we're here to break it all down!


But first, let's talk about that opening scene with the two scout troopers that kidnapped Baby Yoda at the end of Episode 7. That blaster accuracy gag was HILARIOUS - had me laughing out loud for minutes. On the other hand, apparently a lot of people are mad that the troopers punched The Child multiple times. Of course, I'm not condoning child abuse, but here's why I'm ok with that scene:

It was a WWE-style indication that these are the bad guys. I once wrote a paper in college about how pro wrestlers are effective communicators. I was kind of joking, but the professor really liked it, so I guess I made some good points. If you're a wrestler and you want to communicate to the audience that you're a bad guy, you come out and insult their city. You poke your opponent in the eyes when the ref isn't looking. You cheat to win. If you're on "The Mandalorian" and you want to show the audience that you're a bad guy, you do bad stuff to Baby Yoda. It wasn't fun to watch, but it was a clear sign that, even though those two guys were funny, they were on the wrong side of things.

As I predicted last week (it was pretty clearly telegraphed), the newly reprogrammed IG-11 came to the rescue in its new role as a protector. In an action-packed sequence, the ex-bounty hunter snagged The Child, stole a bike and sped back into town toward the pinned-down Mandalorian. Seeing the droid back in action reminded me why I liked Episode 1 so much; it's got a unique fighting style with its 360 degrees of visibility and fully rotational arms. Plus, this time it did all of its fighting with a baby wrapped to its chest.


In the meantime, Moff Gideon threatened to light up The Client's old hideout with an E-Web cannon if The Mandalorian, Cara Dune and Greef Karga refused to surrender. Eventually, they were joined by IG-11 and the baby, and the heroes searched for a way out of the building.

During this scene, we learned quite a few things, thanks to some provocation from Gideon, who spouted off personal details about each of the main characters - the most interesting of which was the actual name of The Mandalorian: Din Djarin. Gideon's trash talk triggered the longest, clearest flashback we've seen about Mando's childhood. We learned that, after being hidden by his parents during the siege of his home town, Young Din was saved by a clan of jetpack-clad Mandalorians. They would take him in and raise him as a foundling until he was of age and could join the creed as an adult. It is also of note that Moff Gideon was an Imperial officer during the purge.


Back in the present, we learn that the Moff is a much better shot than his troops. When The Mandalorian takes control of the E-Web cannon, Gideon takes matters into his own hands by shooting an explosive that seriously injures the bounty hunter. IG-11 drags Mando to safety, but things aren't looking good for our heroes, especially with the arrival of an incredibly slick-looking flame trooper. The fighter ignites the mother of all flamethrowers, pushing the group even further into the hideout. However, Baby Yoda comes to the rescue and uses the Force to hold back the fire while IG-11 finally cuts through a sewer grate that will allow Cara, Greef and the gang to escape.

The Mandalorian's wounds are too grave to continue. He begs the others to flee without him, but IG-11 indicates that its new role as a protector can help heal his wounded ally. Such assistance would come at a cost, though. It would require Mando to remove his helmet - something that he has never done in front of another living being. The droid points out that it is not alive, and it proceeds to remove the helmet. For the first time, we see The Mandalorian's face. IG-11 sprays the injuries and explains that the healing process will take a little bit of time to work.

I thought this scene was important. Throughout the season, we've learned that Mando takes two things really seriously: 1) his refusal to remove his helmet and 2) his distrust of droids - particularly IG-11. To see him finally agree to let IG-11 take off the helmet was a big step for his character development. We have seen that he has a heart and cares for others, and now he is becoming more trusting of those who seek to help him. Good stuff.

The gradually recovering Mandalorian and IG-11 return to Cara and Greef in the sewer and begin to make their way to the home of the local Mandalorian clan that we've seen in previous episodes. Upon arrival, we learn that all of the other Mandalorians renounced the creed and revealed themselves in order to flee from Moff Gideon's troops. The only one who stuck around is the female armorer, who does a couple interesting things:

  • She awards The Mandalorian a new signet, in the image of the mudhorn monster from Episode 2.
  • She explains that she has seen Force-using Jedi before that harnessed the same power displayed by The Child.
  • She gives The Mandalorian a new quest - to return Baby Yoda to the rest of his species.
  • She provides Mando with a jetpack.


IG-11 takes the jetpack and the group scurries along. The armorer stays behind and later successfully defends herself against five stormtroopers. She lives to fight another day, and we certainly haven't seen the last of her.

The crew hops on a lava ferry - their last stop before potential freedom - but they soon discover that they are outnumbered by stormtroopers. IG-11 formulates that the odds of survival are non-existent. There is no way they can fight their way out of this situation. In its new role as a protector, the droid offers to save his friends by initiating its self-destruct protocol. Reluctantly, they agree that there is no other option. IG-11 explodes, taking out the last line of defense, and Mando, Cara, Greef and The Child are finally free.


That is, until Moff Gideon's Tie Fighter soars into view. Mando, now possessing enough strength to don his new jetpack, suits up and grapples onto the Moff's ship. After a brief struggle, he plants explosives and blows the ship out of the sky.

Despite some brief urging from Greef, Mando decides to leave the planet of Nevarro, determined to finish his quest of reuniting Baby Yoda with the rest of its kind. Greef and Cara decide to stay, now that the planet is free from the threat of ex-Imperial rule. Mando takes The Child and boards the Razor Crest. The bounty hunter lets the baby suck on his Mandalorian necklace and they zoom off into the galaxy.


Before the credits roll, we see that Moff Gideon, unsurprisingly, is still alive... and he cuts his way out of his trashed Tie Fighter with a black lightsaber, better known in Star Wars lore as a Darksaber.


Instant Analysis:

Man, what a great show. This was a great episode that ended a great season. Season 2 of "The Mandalorian" has been confirmed for Fall 2020, but that's like eight months away and I'm going to miss this show!

As I mentioned, I think we have seen Mando grow quite a bit in this season, going from the stoic bounty hunter who was just out to make a buck to the galaxy's best babysitter. I thought that there were some other really great characters in the show, as well, particularly Kuiil, IG-11 and, of course, Baby Yoda, but I also liked Cara Dune, and Greef Karga was pretty good in the last few episodes, as well. Moff Gideon seems legit and I am really glad that he survived the season. I can't wait to see what Season 2 has in store for him.

Is it possible that The Mandalorian and Baby Yoda are two of my favorite Star Wars characters in the entire franchise? I just think the two of them are so great and I can't wait for Season 2.

Overall, Season 1 had some really great episodes. Episode 5 wasn't bad, but it wasn't my favorite. However, I thought that all of the other episodes were amazing. Although I was growing a little tired of Star Wars movies a couple weeks ago before seeing "Rise of Skywalker," I think I can really get behind this new style of weekly, episodic storytelling.

Quotes:

  • "Did he just say that Gideon killed his own men?" - The scout troopers, shocked by their boss' ruthlessness
  • "That was unpleasant. I'm sorry you had to see that." - IG-11, to Baby Yoda after saving The Child
  • "Kuiil has been terminated." - IG-11 confirms our fears
  • "Burn them out." - Moff Gideon, not messing around
  • "If you go near this child, I will have no choice but to kill you." - IG-11 to Greef Karga
  • "Let me have a warrior's death." - The Mandalorian, begging his friends to leave him behind
  • "I need to remove your helmet if I am to save you." "Try it and I'll kill you." - IG-11 and The Mandalorian, becoming friends
  • "I am not a living thing." - IG-11, the hero we deserve
  • "Until it is of age or reunited with its own kind, you are as its father. This is the way." - The armorer gives Mando a new quest
  • "Let's make the baby do the magic hand thing. Come on, baby! Do the magic hand thing!" - Greef Karga, hilariously urging The Child to defeat Moff Gideon's Tie Fighter

Questions:


  • Why didn't The Mandalorian's parents try to hide with him during the purge?
  • How did Moff Gideon obtain the Darksaber?
  • How significant were the enhancements Kuiil made to Baby Yoda's cradle? Will that even come back into play, or was that simply just Mando wanting The Child to sleep better? Did I read too much into that?
  • What's next for Greef Karga and Cara Dune?
  • Is there really some secret tribe of Yodas out there somewhere? Where are they? What are they doing? How many are there?


Qualms:


  • Dang, I will miss Kuiil. I was really hoping he was somehow still alive. He has spoken.
  • Fall 2020? Seriously??

***

So there you have it! That's a wrap for Season 1! My final word on the matter is that I freaking love this show. I hoped it would be good, it was the thing I most looked forward to with the launch of Disney+ and it exceeded my lofty expectations. What did you think? Let's talk about it! Leave a comment below, follow me on Twitter (@atownmania and @sottunderground) or hit me up on Facebook, friends.

Until next season,

I have spoken.

Friday, December 27, 2019

A-Town Playlist: Top Spotify Songs of 2019


Another year has come and gone. New Year's Eve is nearly upon us, bringing with it another year-end A-Town Playlist! As many of you may have already noticed, Spotify has made the rounds, informing its users of their trends for 2019. This has become something that I have started to look forward to all year long, and reviewing my Spotify Wrapped playlist over the past week or two has been a lot of fun. Spotify gave me a list of my top 100 songs for this year, but I've curated that down to a 50-song playlist for your listening enjoyment.

Here's my Spotify playlist for 2019:


(https://spoti.fi/2Sw8LEV)


The Top 10

  1. Bambina - Vampire Weekend
  2. This Life - Vampire Weekend
  3. Salvation - The Strumbellas
  4. Body Talks - The Struts
  5. In Love with a Camera - The Struts
  6. Could Have Been Me - The Struts
  7. One Night Only - The Struts
  8. Africa - Weezer
  9. The Power of Love - Huey Lewis & the News
  10. Hollywood Nights - Bob Seger
It was a big year for Vampire Weekend and The Struts! Between discovering new albums and preparing for concerts, music by those two artists was constantly pumping through my earbuds and Google Home Mini.

The Strumbellas landed a spot at the top of the charts in 2019, earning the bronze medal for their catchy tune "Salvation."

Weezer's cover of "Africa" graces my year-end playlist for the second consecutive year. I've finally come to terms with the fact that this version of the song is better than the original.

Shoutout to Huey Lewis! I have no idea how "The Power of Love" song cracked my Top 10, but it's a great song from a great movie, and if Spotify says it's true, it must be.

Bob Seger made his debut on the playlist this year. I spend hours listening to his greatest hits before attending his farewell tour in the fall. "Hollywood Nights" is certainly one of my favorite tracks.

2019: The Year in Concerts

I had the privilege of attending a couple really great concerts this year, and Spotify took note of my preparatory efforts. My top songs included many from the discographies of Train, The Goo Goo Dolls, The Struts, Bob Seger and Elton John.

Strange Songs, Courtesy of Spotify

Occasionally, a weird song will catch my attention. Such was the case in 2019, and I've thrown a couple of those odd anthems into my mix, including the following:


Pump-up Songs

I don't really have a "workout mix" or anything like that, but I'll often boot up Spotify if I want to feel like I can run through a brick wall. I've teased it for years but never truly put my nose to the grindstone - if I were ever to make "The Big Ticket 3," some of these songs would be on the soundtrack:


New Artists, New Favorites

According to Spotify, I discovered 466 new artists this year. I spent, apparently, seven hours listening to Vampire Weekend - particularly their new album, "Father of the Bride," which, by and large, was very enjoyable. I've also included some of my favorite songs from a few other "new" artists in this year's playlist, including:



Timeless Classics

I've scattered in some older songs by my favorite artists, as well, including tracks by Tom Petty, Three Dog Night, Cold War Kids, Fleetwood Mac, The Doobie Brothers and The Revivalists, among others bands that I can't quite classify as "new."

The Wedding Playlist
I got married back in September. This may be news to some of you. Surprise! As we ramped up for the big day, I created a playlist for the reception. Several of those songs cracked Spotify's Top 100 for 2019:


World Citizen

Spotify informed me that I listened to artists from 28 different countries in 2019, including Elton John (United Kingdom), AC/DC (Australia) and Juanes (Colombia).


Top Genres

I listened to a bunch of different genres in 2019 - predominantly several types of rock (classic, pop rock, modern and punk rock), with a smattering of pop music that I probably Shazammed from the radio on my drive to work.


Overall Listening Time

At the time that my Spotify Wrapped report was sent to me two weeks ago, I had spent 30,613 minutes listening to Spotify in 2019. That's just over 510 hours or 21 entire days of time, and blessed be the name of Spotify Premium for it.

This included 13,771 minutes (229 hours) listening to podcasts. If you're looking for any recommendations, Spotify says I most enjoy sports, comedy and history podcasts. A couple of the shows I constantly listened to to pass time while at work this year were:

Top Artists

It comes as no surprise to me that The Struts were my top artist for 2019. Spotify reports that I spent 15 hours listening to them this year (although that number might have increased in the past two weeks since I was given these stats), much of which came directly before and after their killer concert this summer. If you want to check out their setlist from that show, click here. I can honestly say that The Struts concert was one of the most fun and enjoyable shows I've ever attended.

Here are my top five artists for 2019:
  1. The Struts
  2. Bob Seger
  3. Weezer
  4. Vampire Weekend
  5. The Goo Goo Dolls



Top Artist of the Decade

As I mentioned last year, 2018 was the first year that I really, seriously started using Spotify. A more accurate depiction of my listening habits for the entire decade would need to incorporate numbers from my iTunes library, which would take much more effort to calculate. However, my top artist of the decade, based on Spotify stats, checks out, and it should not be a shock to anyone who knows me.

It's Weezer, the group I have called my all-time favorite since I discovered them more than 15 years ago.


***

That's it for this year! It has been quite an auditory adventure for me, and I hope you perhaps were able to find some new music if you read this blog. If you're up for some conversation, let me know who your top artists were in the comments below, on Twitter (@atownmania and @sottunderground), or hit me up on Facebook.

Finally, if you're a Spotify user and haven't had the chance to do so already, be sure to head to https://spotifywrapped.com to discover your top trends for 2019!


Monday, December 23, 2019

The Mandalorian Recap: S1E7 - The Reckoning


We're now seven episodes deep in the inaugural season of Disney+'s "The Mandalorian." It was an early episode last week, and the blog is a couple days late because "Rise of Skywalker" hit theaters on Thursday night. Nevertheless, we're finally here once again to break down everything happening in that galaxy far, far away. Make sure you're caught up through Episode 7 before proceeding. Full spoilers await.



What an episode! My only real complaint about "The Mandalorian" these past couple weeks is that it seemed like a few of the episodes were stand-alone installments that didn't really connect to the main storyline. However, Episode 7, the final show before the season finale, tied many of those one-off outings together to form a much bigger, much more dangerous plot.

Ultimately, we were introduced to Moff Gideon (played by Giancarlo Esposito), a ruthless Imperial overlord who is taking no prisoners in the quest to obtain The Child. It was an explosive confrontation filled with casualties - and the kidnapping of Baby Yoda! - leaving us with the biggest cliffhanger yet. The upcoming finale is going to be wild.

Let's break it down and discuss everything else that happened along the way.

Kuiil reprograms IG-11

We learned that The Mandalorian's old pal, Kuiil, recovered and reprogrammed the IG-model bounty hunter from Episode 1. Now, instead of being programmed to track down and kill The Child, the robot now lives to serve and protect.

Much ado was made of Kuiil's handiwork. He also makes Baby Yoda a modified cradle to help The Child sleep better... allegedly.

A new, startling side to Baby Yoda

In this episode, The Child sneaks away tries to fly the ship. He's gonna need a little more practice before he gets approved for his learner's permit.

We're slowly starting to see more frequent Force-usage from the little guy. We see, in Episode 7, that The Child is very protective of his guardian; he Force-chokes Cara Dune after misunderstanding the harmless nature of a friendly bout of arm wrestling.

In a scene unlike any other moment in on-screen Star Wars history, Baby Yoda uses the Force to heal Greef Karga after he is attacked by flying monsters. One rumor has it that this episode of "The Mandalorian" was released on a Wednesday, as opposed to the typical Friday-release schedule, to introduce this power before "Rise of Skywalker" hit theaters late Thursday night. Force-healing plays a large role in the new movie, so introducing that concept a couple days in advance was not a terrible idea.

It didn't stick out to me the first time I watched the episode, but upon my second viewing, Kuiil points out that Baby Yoda does not appear to be manufactured or genetically synthesized, but rather an evolved version of the "Yoda" species. I have heard some people wonder if The Child was a clone of Yoda from the movies, but this point would effectively prove that theory to be false. This, it seems, is no test-tube baby.

Greef Karga's assassination quest

The main story of Episode 7 centers around Greef Karga's plot to eliminate The Client, who initially put out the bounty for The Child in Episode 1. Greef hires Mando to assassinate The Client, whose support among Imperial sympathizers continues to grow. Unbeknownst to The Mandalorian, the real plan is to kill the bounty hunter, steal the baby and obtain the reward for the bounty.

After being healed by Baby Yoda, however Greef has a change of heard and takes out his crew to save Mando's life. Greef, The Mandalorian, Cara Dune and Kuiil put their heads together to come up with a new plan. It involves sending an empty cradle to The Client as a decoy, then having Mando kill the old man when the time is right. Kuiil will take Baby Yoda back to the Razor Crest to protect it in the meantime, while Cara will accompany the other two on their trek back into town.

Unfortunately, things don't quite pan out as planned...

The arrival of Moff Gideon

As The Mandalorian frees himself from his fake imprisonment, The Client receives a holographic communication from a character we have never seen before. The man tells The Client to double-check on The Child, who he had been informed was sleeping. But a moment later, a troop of elite stormtroopers open fire on the building, presumably killing most of the guards inside (and potentially The Client, as well, though this is not confirmed).

Outside, we see several squadrons of stormtroopers and a nifty-looking TIE Fighter ship. Out steps the man who we learn to be called Moff Gideon. He's after The Child, too, and he announces that the baby means more to him than The Mandalorian can possibly imagine.

Meanwhile, Mando attempts to get a hold of Kuiil to verify if they made it back to the ship safely. Unfortunately, we see that Kuiil and The Child did not make it back in time. Baby Yoda is shown on the ground, soon thereafter scooped up by a duo of Imperial troopers, and the camera pans up to show that Kuiil is lying lifelessly on the desert floor.

Instant Analysis: The best episode yet

This was an incredible episode. For the first time in several weeks, it really felt like something was at stake here. Certainly, we'll learn more about Moff Gideon. Hopefully he'll last more than a full episode, unlike some other antagonists we've seen in prior episodes. My favorite thing about Episode 7 was that it brought back some elements from earlier in the season that I thought we wouldn't hear about again. IG-11 returned, Cara Dune is back in the mix, Kuill was making things happen. It was great. The shootout at The Client's hideout was unexpected - more violent than anything they've shown so far - and Moff Gideon seems like a genuinely frightening villain. They've set the season finale up to be spectacular, so let's hope Jon Favreau and company can keep the momentum rolling.

Questions:

  • Did Kuiil make any other modifications to the cradle that we were not made aware of?
  • Is Kuiil really dead?
  • How will IG-11's new protective capabilities come into play?
  • Is The Client really dead?
  • Who is Moff Gideon and what does he want with The Child?
  • Are we on a collision course for a terrible accident involving Baby Yoda? Is he accidentally going to kill somebody with his untamed Force abilities?

Quotes:

  • "Is it still a hunter?" "No, but it will protect." - The Mandalorian and Kuiil discuss the new and improved IG-11
  • "He's trying to eat me!" - Greef Karga, wary of an approaching Baby Yoda

Qualms:

  • They can't do this to us. Baby Yoda must live forever!



***

That's it for this week. How are we feeling at this point? What are your thoughts? What will happen in the season finale? Let me know in the comments below, follow me on Twitter (@atownmania and @sottunderground) or find me on Facebook.

Until next time,

I have spoken.

Thursday, December 19, 2019

10 Things I Still Hate About 'The Last Jedi'


The Last Jedi is, without a doubt, the worst Star Wars movie ever made. I know everybody dunks on the prequels, but here's the difference between those movies and Episode VIII: the prequels were unintentionally bad. They had good intentions and they meant well, but they just fell short of everybody's expectations.

The Last Jedi was something else altogether. Episode VIII was something far more sinister than Senator Palpatine could ever fathom. Yes, The Last Jedi was a gigantic, purposeful and deliberate middle finger to the entire fan base. Screw your fan theories. Forget everything you thought you knew! Darth Lord Rian Johnson showed up back in 2017 and tarnished everything you wanted to see in a new-age Star Wars movie.

Don't believe me? Heaven forbid you disagree with me! Here. Take my hand, and let's go for a little walk down memory lane as we revisit TEN THINGS I STILL HATE ABOUT THE LAST JEDI.

10. The Casino Planet, the Code Breaker and animal cruelty

The detour to the Casino planet was a complete waste of time. Finn and Rose are sent there to search for a man with the ability to crack the First Order's defense systems. He's a rich guy and he hangs out with arms dealers, so they head to the casino in hopes of tracking him down. After 15 minutes or so of them wandering around with some cheap laughs for BB-8, they get arrested for a parking violation and thrown in jail. While they're in jail, they meet a stuttering Benicio Del Toro, who also happens to possess the skill to hack the supposedly impenetrable code. This prompts the question: why did they even go to that planet in the first place? Why couldn't they have saved the audience time and just bumped into that guy in some slums or a dark alley?

Another major irritant about this section of the movie is that Rose goes off on her anti-war, anti-animal cruelty tirade. Of course, there are some ethical dilemmas when it comes to any kind of violence, and it is never right to abuse animals - but was this really the right venue to make such a statement?

"It was worth it, though," Finn says of his time at the casino. "To tear up that town, make 'em hurt."

Rose unlatches the saddle from the animal that helped them escape and responds, "Now it's worth it."

Give me a break.

Whether done on purpose or not, I believe that this brief interaction between the so-called "Code Breaker" and one of his female companions is a great illustration to depict the relationship between fans, asking normal, totally logical questions about The Last Jedi, and the way director Rian Johnson approached the film - with absolute self-righteousness and complete disregard for the viewers:


9. Leia channels her inner "Mary Poppins"

One of the earliest problems I have with The Last Jedi comes a surprising 31 minutes into the film. From my recollection, I thought this moment came later on, but no! It's merely a quarter of the way through the movie. After an attack from the First Order, General Leia Organa's ship is fired upon and she is blasted into space. For a moment, she floats there in the darkness, seemingly devoid of life. It appeared to be a sad yet serene farewell to Carrie Fisher's character; she died nearly a year to the day before the theatrical release of Episode VIII, and Leia's fate was the center of much conversation leading up to the movie, with fans curious as to how her real-life death would affect her character's story.

But a moment later, Leia's hand twitches. Her fingers stretch out. And her eyes open. Then, as if propelled by some mystical force - THE Force - the princess jets through space with ease and the utmost grace, returning safely to an undamaged section of the ship she just got knocked out of. Cool. We go to see Leia use the Force for a moment. But what the heck was that?! Since when does becoming a Jedi make you immune to the vacuum of space?? If anything, it was more humorous than it was awe-inspiring.


8. The failure to kill off Leia

Along those lines comes my frustration with Johnson's refusal to kill Leia off. As I mentioned, Carrie Fisher died on December 26, 2016. Episode VIII was released on December 15, 2017. I understand that most of the movie was already shot and they may have even wrapped up most of production before the cherished actress passed away - and I don't mean to make light of that situation - but they surely would have had time to do a quick re-write, if even just to add in a line at the end of the movie saying something like, "We'll sure miss General Organa. She's just boarded a ship for a reconnaissance mission to a distant planet." But they kept her alive through the end of the movie, which means that JJ Abrams will have to wrap that stuff up in Episode IX.

And it's not like they didn't have multiple opportunities to write her out of the story, either! First and foremost, they could have had Leia die in the attack I mentioned above. Best-case scenario, they could have had Kylo Ren double down and pull the trigger to kill off his mother to go along with what he did to Han in The Force Awakens. Instead, Kylo hesitates and another First Order ship took the shot. Having the spaceman formerly known as Ben Solo REALLY would have made him the despicable villain that this franchise so often truly lacks. Missed opportunity.

Heck, even if they wanted to give Leia her little Mary Poppins moment, they could have done it, shown that she did, indeed, have great Force sensitivity, then have her die in the emergency wing of the ship. "We regret to inform you that General Organa didn't make it." Simple! They didn't do that either, though, instead opting for her to stay in a coma for a while before re-emerging with nary a physical sign that any harm was done to her in the first place. She walks with a cane at the end of the movie, and that's it.

Another option would have been to put her on a transport ship with a bunch of "redshirts," as opposed to the ship she actually boarded, which contained most of the other main characters, and have Kylo and his minions blow that ship out of the sky.

Yet another option would have been to have Leia make the controversial sacrifice that Vice Admiral Holdo ended up making (which I'll get to in a second). That would have been a heroic way to go, but that didn't happen.

The final option I'll give here is that she could have been taken out in the final battle - again, preferably by her son, Kylo Ren, but she escapes with the remaining Rebels and lives to see another movie. We'll learn her ultimate fate in Rise of Skywalker, with footage that allegedly was all recorded for scenes that ended up getting cut from The Last Jedi.

I'll say it one final time: they should have killed off Leia and kept Luke around for Episode IX.

7. Holdo's sudden switch

From the moment we met Vice Admiral Holdo, the purple-haired stiff on Leia's staff, we weren't supposed to like her. She immediately set herself at odds with Poe Dameron, who she condescendingly referred to as "fly boy," among other things. She doesn't seem like a nice lady at all, and she goes out of her way to stop Poe from attempting any type of rescue effort, even going so far as to pull a gun on him at one point.

All the while, we're cheering for Poe to figure out a way to help the Resistance, but, at every turn, he is thwarted by Holdo, who refuses to explain herself to the hero pilot. Later in the film, when Leia returns to consciousness from her fairy dust-induced coma, the princess-general explains to Poe that Holdo was... apparently a good guy the entire time?!?

The Effie Trinket wannabe abruptly transforms her trademark scowl into a smile. She gets all touchy-feely with Leia, they start finishing each other's sentences (which is... kind of weird), and then she volunteers to become the sacrificial lamb that will buy enough time for the Rebel transport ships to escape. Although her Star Destroyer-splitting maneuver was admittedly pretty incredible, her sudden change of heart was completely unbelievable and the lack of any kind of connection to the viewer is the reason why, in the end, nobody gave a crap about this stupid character. She cost the Rebellion tons of time by being a little brat and likely cost a significant amount of lives in the process. Great job.

6. Finn and Phasma

Captain Phasma is, without a doubt, the biggest waste of a Star Wars character that we have ever seen. At first glance, that shiny chrome armor is terribly intimidating and one can only imagine the terror that Phasma might strike into the hearts of her opponents.

Well, she didn't really do much of anything in The Force Awakens, aside from, we assume - because Han asks Finn about it - getting thrown into a trash compactor. Somehow, she survived that alleged incident and shows up again in The Last Jedi to confront her mortal enemy (I guess?), FN-2187, the stormtrooper that abandoned the First Order like the coward he is. After a brief battle, Finn disposes of Phasma yet again, purportedly killing her once and for all, after hardly putting up a fight worthy of conversation. It's just pathetic. I mean, there's nothing else to really be said about it.

Also, for some reason toward the end of the movie, Finn starts speaking like George Lucas wrote the script. "Let's go, chrome dome." OOOOOH! Tough words, Finn! Tough words! This was not Finn's best movie.

5. Rose's decision to "save" Finn - and just Rose, in general

Speaking of Finn, let's talk about his relationship with Rose. I know that in real life, Kelly Marie Tran was the victim of a lot of cyber-bullying and hate mail, and that's never ok, but the fact is that - regardless of race or gender - this is just a badly written character. She's annoying and obnoxious and does a lot of really irritating things - not the least of which was saving Finn from his would-be kamikaze run during the final battle.

On the salty battlefield in the last act of the movie, Poe, Finn, Rose and a handful of other valiant Rebel pilots suit up and hop into some rickety old ships to confront Kylo Ren's dastardly forces. These ships are real pieces of crap, by the way; Poe accidentally stomps his foot through the bottom of his at one point. Finn realizes that the First Order has set up a battering ram cannon that will tear through the Resistance's defenses like tissue paper, and he decides that the only way to stop it is to send his decrepit little plane hurtling right into it.

Finn makes a beeline for the cannon, despite the pleas of many of his companions telling him to stop. Dramatic music builds, Finn says his goodbyes, closes his eyes and... gets rammed in the side from out of nowhere by Rose, who wants to save her friend's life.
I received a Snapchat video from my brother this afternoon, in which he visually broke down, step-by-step, the fact that Finn was the ONLY ship heading toward the First Order at that point. Every single other ship had flipped a U-turn and retreated. Even seconds before Finn gets T-boned, Rose is nowhere to be found. It's completely illogical.

Keeping in mind that these flimsy little planes are pieces of literal trash, how is it possible that Rose could crash into Finn at a high speed like that and not kill both of them in the process? That would have been amazing - if Rose accidentally died and took out Finn in one fell swoop, and then the First Order wiped out the Resistance with the battering ram. Oh man. But no. She somehow survives with only a few facial abrasions to show for it. Finn, on the other hand, appears completely unharmed and is spectacularly able to get out of his crashed ship and run over to Rose's lifeless body -- AND NOBODY FROM THE FIRST ORDER THINKS TO EVEN TAKE ONE SHOT AT HIM?! Don't understand that at all. Anyway, when Finn finally gets to Rose, she takes the time to mention that the only way to win this war is not to destroy the things they hate, but save the things they love.

At that moment, with an explosion going off in the background LOL, she plants a kiss right on Finn's lips, and he looks about as confused at this spontaneous romantic relationship as the rest of us:


4. Supreme Leader Snoke's sudden demise

I'm not going to spend a lot of time talking about this one because the guys who wrote this movie didn't, either. In The Force Awakens, we are introduced to this poorly CGI-ed freak that, we presume, is "the new Big Bad," as the hipsters say. He's Kylo Ren's boss, and theories swirled online for months about his true identity. Was he an even more physically misshapen form of Emperor Palpatine? Was he Darth Plagueis?

Nah, in the end, Kylo Ren just randomly decided to chop him in half, as if Rian Johnson printed up a list of fan theories and ripped it right down the middle. So... he's dead now. Like, I don't know what else to tell you.

3. Old, Bitter Luke

I actually saw an analogy the other day that resonated with me - and there are some aspects of Old, Bitter Luke that I kind of like. I actually really liked learning about his troubled history with Ben Solo, for instance. But there is still plenty to complain about when it comes to the character that I wanted to be as a child.

The comparison that was given was provided by Cody Rhodes, a popular professional wrestler. He compared Luke's story arc to what sometimes happens in his industry: fans beg for the "legends" like The Rock or Stone Cold Steve Austin to come back and wrestle one more time. The problem is, though, as WWE has recently seen in sub-par "return matches" for the likes of Triple H and Shawn Michaels, the Undertaker and Goldberg, that these guys aren't the same people they were 20 years ago. You can't expect Hulk Hogan to come back and fight Roman Reigns today anymore than a Utah Jazz fan could long for the golden days and wish that Stockton and Malone would lace up their sneakers to save the team from what, so far, has been a rough start to the season. They're older, out of shape and haven't been doing that stuff for a long time.

Such was the case in The Last Jedi, when Rey mistakenly thought that asking Luke nicely to come back and help out would solve all of her problems. Luke had been living a hermit's life on that gorgeous island for who-knows-how-long, and he wasn't in shape, as far as Force usage was concerned. I can understand why he wouldn't exactly jump at the chance to go fight a much younger, stronger enemy in Kylo Ren.

But they didn't have to make him such a jerk about things. Luke is rude to Rey for the majority of his screen time. He hates what he has helped create, wants to literally burn it all down to the ground, and he takes out his verbal aggression on somebody who genuinely cared about and admired him. It's not a good look.

Plus, I know we all sometimes do some weird stuff when we're alone and nobody else is around, but what the heck was up with him drinking that stuff right out of the utters of that disgusting creature? That was certainly something I never really wanted to see in my entire life.

Honorable mention: Porgs suck!

2. The End of Luke Skywalker

Here, again, there are a couple things I liked, but it's a net-negative, in terms of weighing the good and the bad. The part where Luke walks out like a baller to stare down the entire First Order is pretty good, and the moment where he reappears from the dust and brushes off his shoulder is fantastic. But let's talk about a couple other things here.

First of all, I'm a little unsure how Force projections work. In the past, the only time we have seen Force Ghosts have been instances where they're just kind of standing around, like at the end of Return of the Jedi. In Episode VIII, we see Force Ghost Yoda appear to Luke, just as Luke is about to set fire to that gnarly Jedi tree. Yoda whacks his former apprentice on the head with his cane, so it appears that these ghosts can physically interact with living things. Similarly, we see Luke (who, unbeknownst to us at the time, is a Force projection) walk into the Resistance's base and not only touch his sister Leia, but also give her (what appear to be) the dice that Han hung in the Millennium Falcon.


However, shortly thereafter, Luke goes out to face Kylo Ren in a lightsaber duel. His feet leave no footprints in the salt, and when Kylo goes to stab his ex-Master in the chest, the weapon goes straight through him. So... are Force projections physical beings or not? There is no consistency on which to base an answer.

Hooray. Luke stalls long enough for the Resistance to escape through the back of their base. Waiting for them on the other side is Rey, who my co-worker estimates trained with Luke on the island for approximately 17 WHOPPING HOURS. In that time, she learned how to use the Force so strongly that she could lift, undoubtedly, several tons of boulders into the air, suspend them for long enough for everyone to get out, then drop them peacefully on either side of her friends without dropping a pebble on anyone! It's incredible!

Meanwhile, Luke bids a snarky farewell to Kylo Ren and vanishes. We return to the island, where we see the gray-bearded superstar levitating and collapsing on his meditation rock. Moments later, after staring one final time into that double sunset, he disappears for good, like his master, Obi-Wan, before him.

Having grown up idolizing Luke Skywalker, I just hoped that he would have gone out in a more memorable way than that - bitter, alone and mostly washed up.

1. Rey's parents

They floated this storyline in front of us like the proverbial Dangling Carrot from some of the earliest moments in The Force Awakens. Rey is an orphan, having been left to fend for herself on Jakku at a very young age. However, there seems to be some kind of legend or rumor or theory about her (or a girl just like her, maybe?), because Kylo Ren immediately freaks out when he finds out that "a girl" has recovered BB-8. On top of that, several others, including Han Solo, Leia and Maz Canata, appear to be aware that Rey might be special.

Again, in The Last Jedi, it is insinuated several times that Rey's parents might have been somebody famous. Obviously, the most widespread theory is that she's somehow a Skywalker. Perhaps a Kenobi (Obi-Wan's voice is heard calling her by name when she finds Luke's Skywalker in VII). Heck, maybe she's a freaking Palpatine! That would be insane! Her murky genealogy is mentioned on several different occasions:

When Rey is drawn to the Dark Side in that freakish cavern, she walks up to a wall of ice, where she sees two silhouettes walking towards her. Seconds before we see these shadows, Rey is audibly begging to know who her parents were, for heck's sake! Ultimately, they merge into one figure, which ends up just being Rey's own reflection. More than anything else in this entire movie, that particular moment pissed me off. My heart was pounding leading up to it, but for us not to get an answer right there felt like Rian Johnson spit right in my face. He knew everybody was wondering who Rey's parents were, he teased us with it - quite blatantly - and he refused to give us an answer.


Then, in addition to that, her parents are mentioned by Kylo Ren during the elevator ride up to see Snoke. Rey is trying to convince Kylo to turn, but he says that he possesses information that will cause Rey to convert to the Dark Side of the Force. He knows the identity of Rey's parents.


After the Throne Room battle (in which Rey, who has only truly fought with a lightsaber one time manages to take on two to three people at the same time on multiple instances), Rey finds out that her parents were "nobody." CHECK THAT.

From my recollection, I thought that Kylo Ren told Rey about her parents, which could easily be construed as a lie (similar to a major twist at the end of "Fantastic Beasts: Crimes of Grindelwald," which I'm pretty sure was a fabrication of the truth). However, as I watched the movie back this week, I was reminded that Kylo doesn't tell Rey anything - SHE TELL HIM. SHE ADMITS IT, HERSELF.


SO. We have a couple options here.
  • Rey's parents actually are nobodies that were just junk traders that were buried in a pauper's grave
  • Rey's emotions got the best of her, she didn't actually know, and she totally guessed
  • Kylo was mind-tricking her into believing that her parents were nobody
  • Kylo was not mind-tricking her, but he had planned on lying (or guessing) that her parents were of no consequence, and Rey somehow inadvertently said exactly what he wanted her to say
  • Rey is a clone and doesn't actually have parents
  • Rey didn't know her actual parents at all but was raised by someone else who took on the "parental" responsibilities; Kylo incorrectly assumed those adoptive parents were her biological parents; the audience is not smart enough to comprehend the complexity of the situation

Regardless, Rian Johnson made a big, giant mess, and poor JJ Abrams is going to be forced to clean it up because I, along with pretty much everyone else on the planet, know that we WILL be getting a definitive answer to, at least, that one, specific question.

Now, I'm hoping that Rey's parents turn out to be anyone OTHER than a Skywalker. If Rey's dad is Luke or if her mom is Leia, we've got some issues:

  • Leia refers to Rey as "The Girl." Whether she is the mother or aunt, I can't imagine any good family member referring to their child or niece/nephew as "The Girl." I have four nephews and a niece. I would never refer to them as "The Boy" or "That Kid." Some family member she would be, huh?
  • If Luke is the dad or uncle, he completely ignored the fact that it would even be a possibility when he asked Rey where she came from. "Nowhere," she replies. Everybody's from somewhere, Luke insists. When Rey says she's from Jakku, Luke smarmily jabs that Jakku basically is the middle of nowhere. It's a funny line, but, if Luke ever lived on that planet, had a kid on that planet, had family on that planet, or (pardon me) knocked up somebody from that planet, don't you think he'd at least raise an eyebrow?
If Rey is a Skywalker, that's one crappy family and they treated her like dirt for two entire movies.

***

I could go on and on about how much I hated The Last Jedi, how much Rian Johnson's "vision" ruined the franchise, and a million other things that just don't make any sense at all, but I'm going to stop here or I'm gonna miss my 10:00 showtime. More than anything, I'm just disappointed that something that so many people hold so dear, as silly as it may seem, was skewed and jacked up so badly by one person who honestly does not seem to give a crap about any of it.

Here is yet another image that perfectly sums up what I feel that Rian Johnson did when he took the helm of Episode VIII:


Please, somebody, tell me I'm not up in the night with this stuff. If you want to trash talk this movie, I'm here for you. Let me hear it. You can comment below, follow me on Twitter (@atownmania and @sottunderground) or chat me up on Facebook.

Here's hoping that we head out to the theaters tonight or tomorrow or this weekend or next week and we all have a pleasant experience, enjoying something that we all love, without having to fear that some nerd is going to wreck it all again. We trust you, JJ! May the Force be with you, sir!

Amen.

My Thoughts After Re-watching All 10 Star Wars Movies Before 'Rise of Skywalker'

In anticipation of Star Wars: Episode IX - Rise of Skywalker (which hits theaters TONIGHT), my wife and I have carved out time to re-watch all of the previous Star Wars movies beforehand. We watched them in chronological order (in terms of the story), not in order of theatrical release, as follows:
It has been really interesting to binge the movies in this order. This was the first time I had ever weaved in Solo or Rogue One, and I'm not sure I ever watched The Force Awakens in conjunction with any of the movies previously. (I probably rewatched VII before seeing The Last Jedi in theaters, but had never included TFA as part of a marathon, to my knowledge.)

Now that I'm done with all the movies and ready to see the long-awaited Rise of Skywalker a couple times this weekend, here's what I learned about the movies that came before it:

WARNING: If you're reading this blog before you see Rise of Skywalker, please note that some of the hyperlinks contained below (mainly links to character bios) may contain MAJOR SPOILERS. Be careful out there.

Believe it or not, there are some good things about each of the prequels

I was a kid when Phantom Menace was released in theaters, so I never really had too many complaints about it. To this day, I don't think it's as bad a movie as many suggest it to be. First and foremost, I love the podracing, and I don't care what anyone says about it. I love Qui-Gonn. Young Obi-Wan is awesome (can't wait for the Disney+ series!). The lightsaber duel with Darth Maul is the best fight in the entire series. "Duel of the Fates" is one of the best movie songs of all time. Overall, it's not a completely terrible movie.


Attack of the Clones has long been my least favorite Star Wars movie. There are no bones about that. I think I remember nearly falling asleep in the theater years ago. But we see a lot of growth and change in the relationship between Anakin and Obi-Wan, building up to their falling away in Episode III, so that's good. We learned more about Jango and Boba Fett, which was kind of cool, and, uh, I guess C-3PO had some funny scenes?

Generally, Revenge of the Sith is a pretty good movie. It did a great job tying the prequels together with the original trilogy and answered some questions fans had asked for years. The fight between Yoda and Dooku was largely fan service, but it still fun to watch. The duel between Anakin and Obi-Wan was tremendous - I'd say the second best of the franchise. We finally get to see Anakin's full turn to the Dark Side, Palpatine's hideous physical transformation and were blessed with these oft-used GIFs:




The romance between Anakin and Padme is weird and gross

When young Anakin Skywalker meets Padme Amidala in The Phantom Menace, Anakin is eight years old and Padme is supposed to be 14. (Should have gone with a younger actress, in that case.) Anakin turns nine during the movie, so that's only an age gap of five years, which would be fine for two adults in the real world. In the movies, it's basically love at first sight for these two, and it's all just very sudden and kind of strange. He is literally a child, so it's gross to watch a grown-up actress immediately become romantically infatuated with him.

Upon further investigation, Jake Lloyd, who played Young Anakin would have been about 10 years old when he filmed that movie, and Natalie Portman, who portrayed Princess Amidala, was 18. That's illegal. Plus, she still looks the same in the second movie, while he has somehow grown two feet in the same time span? Heck of a growth spurt.

Episode II is where things really get awkward. The acting is so terrible. The dialogue is laughable. The romance is not believable in the slightest, from a theatrical point of view. I will admit that it mostly looks like Hayden Christensen and Portman are enjoying their time working together, but it's all so cringe-worthy. I mean... I mean... Just watch this:


Jar Jar Binks has not aged well - at all

Somehow, some way, Jar Jar didn't bother me as a kid, but now, watching as an adult, he is the most irritating character, perhaps, in the history of cinema. Also, by 2019 standards, some of his CGI is quite jarring. I hadn't noticed that until this time around. If you don't believe me, go back and watch his first scene, where he first meets Qui-Gonn and Obi-Wan. It doesn't look good.

It turns out that I don't know what the prequels are even about

Something about a trade embargo or taxation? Something about the senate? Gun to my head, I truly don't think I could tell you the actual plot of any of the first three movies. I can tell you characters and who fights who and the names of planets, but I really don't have any idea what's actually happening.

Related: I literally had to Google "Who was the Phantom Menace?" the other day. It was Palpatine, not Darth Maul, by the way.

Alden Ehrenreich does a fine job as Young Han Solo

He's not a young Harrison Ford. Nobody can be. I didn't mind Solo, although it was, again, a Star Wars story that I never asked to be told. I'm not sure many people out there were begging for a Han Solo prequel, but they gave it to us anyway. After watching Solo and the original trilogy in a span of about a week, it's clear to me that Alden Ehrenreich was a perfectly fine casting choice.

Donald Glover also does a good job as Young Lando Calrissian, although I never needed to know that he was sexually attracted to robots. Like... why?

Rogue One is much better when treated as a direct prequel instead of a "spin-off"

I never needed a Death Star prequel. We all knew that the Rebels stole the secret plans way back in 1977, so it was a no-brainer how Rogue One would end. We never heard anything about any of those characters, so of course they were all going to die. When it was released in theaters, I thought it was a decent enough movie, but it just wasn't a necessary one. Seemed like a cash grab. Probably was a cash grab.

But when you watch Rogue One right before A New Hope - it's a seamless transition, really - it puts the process of stealing the plans in a very different perspective that makes the seemingly unnecessary spin-off movie feel much more important.

Also of note: The Darth Vader scene at the end of Rogue One was, is and always will be incredible.


Luke got the ultimate "glow-up" in the original trilogy

The transition from Ultimate V-Neck-wearing farm boy to legendary Jedi Master in the span of three movies is, to quote his father, "most impressive." By the time he's walking into Jabba's Palace in Return of the Jedi, he's dressed completely in black, Jedi mind-tricking everybody and Force-choking fools. It's awesome. There's no wonder why I idolized Luke as a boy. He's a total baller by the end of Episode VI.

Too bad they made him a bitter little baby in Episode VIII... but that's a different complaint for another blog.

Return of the Jedi is officially my favorite of the original movies

There. I said it.



It was my favorite movie as a kid for a very long time, and, now that I'm older and have the capacity to pay attention for two and a half hours at a time (if I really want to), I think I understood it better than I ever have in the past. I'm not sure I ever realized that Vader threatening to turn Leia to the Dark Side was what made Luke hack his dad's arm off. Good stuff. Also, the Ewoks are way better than the Porgs. Don't @ me.

The Force Awakens is still great

A funny thing happened one weekend in 2015. The Force Awakens was released and everybody loved it! Then, suddenly, a few days later, all the haters came out and said that it was a rip-off of A New Hope. I get the comparisons, but Star Wars fans are morons. Episode VII comes out and people hate it because it's "too similar" to the other movies, then Episode VIII comes out and they hate it because it's "not similar enough." There's no pleasing anybody these days.

I really like Poe Dameron. He's funny and he's cool. Rey was an interesting new character. I loved seeing Old Han and Chewie back on the Millennium Falcon. Ah, the nostalgia. Kylo Ren was an intriguing new villain; he's a Vader copycat and he loves to throw tantrums, and, as the kids say, "I'm here for it." Plus, his character design is slick and looks great.



But he never should have taken off his helmet. I swear, when I first saw him with his helmet off in the theater, I wanted to yell, "Put it back on!" Masked Kylo is a million times greater than unmasked Kylo.

We also got this guy:



I knew they were going to kill off one of the Big Three (Luke, Leia or Han) in The Force Awakens. I thought it would be Luke, but guessed wrong. They had Kylo Ren kill his father, Han Solo, which was basically the most heart-wrenching, despicable thing that he ever could have done. If ever a Star Wars death might have made me cry, Han would have been the one. I didn't cry. But I was devastated. In retrospect, it was completely the right choice. Kylo needed to do something that the audience wouldn't forgive him for, and killing off the legendary outlaw Han Solo was it. Great choice.

Now if they go ahead and let Kylo redeem himself by joining Rey at the end of Rise of Skywalker, I'll be furious. (They will. It's going to happen, and it was telegraphed the entire time. Shouldn't come as a shock if/when it takes place.)

The Last Jedi... STILL SUCKS

Rian Johnson ruined Star Wars and I'll probably never forgive him for it. My list of complaints goes on and on, and it's just as bad as I dreaded it would be after all these years. I'm going to write an entire blog about it, in fact, so I'll spare your eyes from more reading for now.

Overall thoughts, impressions and rankings

It was an interesting experience watching all 10 of these movies in succession. I noticed a lot of good things and I noticed a lot of bad things. There were characters that I appreciated more than I ever have in the past (Yoda), as well as characters for whom my dislike grew stronger (Episode II Anakin and Padme).

I've recently wondered: how many of the Star Wars movies are truly "great"? After watching all of them, here's how I've decided to rank all 10 films (in order, separated by overall quality):

GREAT MOVIES:
  • Return of the Jedi
  • The Force Awakens
  • A New Hope
  • The Empire Strikes Back
GOOD MOVIES:
  • Revenge of the Sith
  • Rogue One
DECENT MOVIES:
  • Solo
  • The Phantom Menace
REALLY BAD MOVIES:
  • Attack of the Clones (unintentionally bad)
  • The Last Jedi (giant middle finger to the audience)

All in all, I'm just ready for the "Skywalker Saga" to be over. As I'll explain in my blog about The Last Jedi, I think they've dug themselves a really big pit that they're going to have to crawl their way back out of in Episode IX. I'm ready for new stories and new characters. Give me more stuff like "The Mandalorian" or the "Jedi: Fallen Order" video game - "Star Wars stories" all the same, but without some of these washed-up characters we've been stuck with, in some cases, for ten movies.

It pains me to admit, because I love the franchise very much, but I can easily say that this is the least excited that I have ever been for opening weekend of a Star Wars movie. The early Rotten Tomatoes score and articles saying some aspects of Episode IX are going to make fans mad aren't helping, either (I won't hyperlink to either of those things because of potential spoilers). However, I remain cautiously optimistic that there will be some things that I may like and that this trilogy can be saved from the dark abyss created by the ultimate villain, director Rian Johnson.


***

What are your thoughts? Did you have a Star Wars marathon to prepare for Episode IX, too? Have your opinions changed over the years about any characters, story arcs or plot points? Let's have a nice little chat in the comments section below, on Twitter (@atownmania and @sottunderground) or on Facebook.

May the Force be with you.

Always.