Monday, September 22, 2025
FanX Flashback - Anthony Daniels Panel Highlights [FanX 2024]
Saturday, September 20, 2025
FanX Flashback - Baldur's Gate III Panel Highlights [FanX 2024]
Wednesday, September 17, 2025
FanX Flashback - Lord of the Rings Reunion Panel Highlights [FanX 2024]
With FanX 2025 right around the corner, it's time to do what we should have done 11 months ago and post some panel highlights from FanX 2024 (whoops!). One of the most anticipated panels of last year's convention was slated to feature prominent members of the "Lord of the Rings" cast - Elijah Wood, Sean Astin, Billy Boyd, Dominic Monaghan and John Rhys-Davies, although Astin was caught up somewhere else in the Salt Palace and was unable to make it to the Grand Ballroom stage in time. Undaunted, Wood, Boyd, Monaghan and Rhys-Davies served up a delightful panel, bantering amongst themselves and answering fan questions for the better part of an hour.
Here is a transcription showcasing some of the fun:
Elijah Wood Talks About Frodo
Elijah Wood: He’s Bilbo’s nephew – almost raised by Bilbo – and Bilbo carries with him a taste of adventure, which is very uncommon. Hobbits don’t like to stray outside of the Shire, and they don’t like to know what’s going on in the outside world because it potentially presents dangers. They like to be safe and comfortable and warm and cozy. Frodo grew up hearing these incredible tales, and I think part of what propels him forward with this – initially – with this particular ask is very simple. I don’t think Frodo understands, and I don’t think even Gandalf understands, that that’s going to be Frodo’s fate. It’s just “Let’s get this ring to Rivendell,” essentially, right? And it’s not until then that he really decides that it’s his fate or that he’ll sort of take up the mantle of taking the ring. And I don’t even really think that in that moment that he realizes that he’s potentially leaving all of that behind. I think there’s a sense of wanderlust and adventure… He leaves the Shire with the potentiality of seeing elves and, sort of, walk in the footsteps of his uncle. So, I think that’s the impotence, and I think once he’s gotten far enough along, like in the Mines of Moria, he realizes: “Wait a second… This is way [expletive] too much!” (Audience laughs) “Can’t we just give it away??” And then [he], ultimately, realizes that it’s something that he’s got to do, and he’s built of that stuff – and I think all of the hobbits are. I think they’re all made of something – an internal sort of fortitude that is beyond that of men and other creatures of Middle-earth.
On the most influential factors in their lives:
Dominic Monaghan: I think the biggest kind of individual factor in my life that influences me is the natural world – nature – so, wild animals and trees and anything… (audience cheers) That’s kind of my spiritual path.
Billy Boyd: Sitting next to this man (Boyd gestures to John Rhys-Davies, audience laughs and cheers).
Regarding some (legitimate?) confusion over Legolas’ outfit:
Wood: Is this true – that when we shot Lothlórien – they hadn’t finalized Legolas’ outfit yet? Do you remember that?
Boyd: No!
Wood: Legolas’ outfit was a work in progress. Do you remember? It just occurred to me now. I believe we shot a different outfit during the Lothlórien sequence.
Boyd: I think you’re right, yeah – a tutu! (Audience laughs)
Wood: The design changed.
Boyd, unconvincingly: Uh huh. Yeah.
Wood: The design changed. It was a work in progress.
On whether they still all hang out, post-LOTR:
[An unidentifiable voice notes that Sean Astin lives there, as well.]
Wood: I haven’t seen Viggo [Mortenson] in a while.
Rhys-Davies: He’s been directing, too, for goodness’ sake. He hasn’t got any time, at the moment.
Boyd: We just Zoomed with Josh Gad during COVID experience we all went through, and that was very special for all of us. And then, it seems to happen that, like, sometime around the Christmas period…
Monaghan: We might get involved in some sort of chain of emails, where someone – I seem to remember, like, last year – Cate Blanchett was like, “Happy Christmas!” And there was a little photo in there, very clearly in France – and a little photo with her cat – sparked a little chatter, so… it happens. We’re all busy.
Boyd: It’s lovely to see each other.
Monaghan: I seem to remember the “Friends” cast saying that they all go their separate ways, but then, when they see each other, that’s it for the rest of the night – they’re with each other. That seems to be the case between these three boys.
Boyd: Everyone’s busy doing stuff, but if you see that person…
Monaghan: That’s your person for the rest of the night.
Tuesday, October 8, 2024
FanX 2024: Ernie Hudson discusses the lasting impact of 'Ghostbusters'

Friday, September 20, 2024
FanX Flashback - Andy Serkis Panel Highlights (FanX 2023)

What was the plan if acting didn’t work out?
Andy Serkis: I never, ever intended to be an actor. I actually started off studying art. Literally, from the age of six or seven, I was given my first set of paints, and I started painting, and that really became what I wanted to do, up until the age of 18. I went to college, and it was only when I was in college, in Lancaster University, in the north of England… In the first year, you had to do another course, and I wasn’t even aware of that. I was going to study visual arts, and I thought that’s what I was going to do. And no, you had to do this first-year, other course, and there happened to be a Theater Studies department, and so I started designing props and making sets and posters for the shows and using my artistic skills, thinking that that would help with my Visual Art degree. Then, I started acting in plays – very small roles – and then they gradually got bigger and bigger. And then, by the end of the first year, I played a part that was a really significant role, and that literally changed my life. […] When I went to Art college, my parents were horrified. They were horrified. And then, at the end of the first year, I said, “It’s ok, I’m not going to do art anymore – I’m going to become an actor!” And they’re like… [mimics his parents’ reaction, audience laughs]. Silence on the other end of the phone. Total, total silence. They were terrified for me. They just thought, “What is he doing?” It took them a long time to figure out, actually, that it wasn’t too bad of a profession.
On misconceptions about motion-capture acting:
AS: There’s a whole misunderstanding about what motion-caption – or “performance-capture,” as it is known now… Motion-capture is born out of the medical industry, actually. It was a way of tracking injury – tracking, like, if you’d broken your ankle, it could track your gate – put markers on the broken points and see how your recovery, your rehabilitation was working. Then, it started to be used in the video game world, to track athletes’ and martial artists’ movements, and so on. So, that’s why it was called “motion-capture” – it was literally capturing physical motion. But when we started using it in the film industry, it became, very quickly, “performance-capture” because it was allowing an actor to see an avatar version of what they were doing on a screen. The very first time I actually had the opportunity of working on a character using the technology, [I] could lift my arm up, and then I would see the avatar character lift his arm up. It was a huge kind of epiphany for me that this was a way of becoming the marionette and the puppeteer at the same time. You’re driving this digital image so that it copies everything that you’re doing. When facial-capture came along, which was the next stage – a crucial stage – of becoming “performance-capture” – that was literally tracking every single facial expression. And then, when you’re capturing audio and physicality and [facial expressions], all at the same time, that was when it became “performance-capture,” and that happened over the course of maybe three or four years.
The moderator mentions how early Disney movies used to bring in live actors for the character motion, then animate over them.
AS: It’s kind of a more-21st-Century version of that. That was called “rotoscoping.” For instance, [the character] Snow White, as you may know, was performed by an actress who danced [for the dancing scenes], which was then, frame by frame, drawn, and then those movements became what drove the animation.
On who he feels has influenced his career:
AS: I’ve been inspired by countless actors [and] directors, over the years. […] I’ve been a huge admirer of Charlie Chaplin, a huge admirer of Lon Cheney and Charles Laughton… Over the course of the years, you realize that the craft of acting goes back such a long way. As actors and performers, […] you pay homage to previous… If you’re film-directing, you’re looking at other people’s shots, you’re looking at other people’s… things that you’ve really committed to, emotionally. So, in terms of filmmakers, Martin Scorsese’s pictures… I remember seeing “Apocalypse Now” when I was 14 years old, and it was the thing that made me want to become a filmmaker. It was such a powerful movie. You sort of end up being a magpie along the road in your career. You end up taking little bits from here and there. Your taste is a sort of sum of so many different, other, previous, brilliant artists’ work. Whether you’re conscious of it or not, you do. That becomes your version, as it were – the culmination, the accumulation of all of those things becomes how you want to express or tell a story.
Reflecting on groundbreaking developments in cinema:
AS: You think back to films like “The General” – Buster Keaton – where some of the most extraordinary stunts were created, for real – "Ben Hur,” all of those films. And now, of course, we live in a world where so much can be created digitally, and there’s a lot more safety, as a result. But I look at those films in complete awe, in terms of the management and the skill and how those big stunts were pulled off.
On whether he does any good vocal impressions:
AS: I recently did a series of readings of Tolkien’s books… [Audience cheers] The books… It would be fair to say that I channeled some of the actors. [Audience laughs] I’m not an impersonator. I’m actually not a good mimic. My wife, actually, is a very, very good mimic. That’s a fantastic skill, and I really admire it in people. I love people who can really just get a tonality absolutely right, just by observation. Apart from that experience of sort of channeling people, I’ve had to play people in the past […] – and, again, we can’t talk about the specifics [because of the then-ongoing SAG-AFTRA strike] – but I’ve had to play real people in the past, and I’ve studied them. It’s interesting, when you’re playing someone in history or someone who’s existed, because you have to find a way of making them your own, so that you’re not just an impersonation, because that would be wrong and not really servicing the story that you’re telling. So, you find a way of bringing them to you and meeting that character so that it feels real to you, vocally, and, [for] the audience, they shouldn’t have to imagine that it is anything but that character. So, actually, it’s a meeting of you and that character.
On where he considers “home” to be:
AS: Basically, really, whenever all my family is together – wherever it is in the world, wherever we are – as long as we are all together, that is “home” for me. […] We’ve reached that phase of our lives, my wife and I, where all of our kids are just leaving home. It’s such a strange, bizarre… I’m sure many, many people who are listening here have gone through this at some time… but it’s this curiously, kind of wonderful thing because you’ve done part of your job – your job as a parent never ends, of course – but they’ve gone off and started to make their own lives and live their own lives. You let them out and let them out, and now they’re gone. And yet, you want them to come back! It’s this curious thing. It’s quite delicious, being at home when it’s just the two of us, and then you think, “Aww,” and you think about your kids all the time. And then they come home, and it’s just, like, “Go away. Get married.” [Audience laughs] It’s this amazing sort of push and pull between “They’ve got to go off and do their own thing” and “Um, you know, they haven’t texted me for four days.” It’s a very curious, curious thing. “Home” really is when we’re all together.
On his favorite books when he was younger:
AS: Some of the very early books that I read were The Phantom Tollbooth. I love that book. I love that book. The Hobbit was one of the first books I ever read, and Animal Farm, which is one of my favorite books. I suppose they were all that had a fable or a fairy tale or had fantasy elements – not surprisingly – but were fables – strong stories with underlying messages. When you first start reading books which have adult themes but they’re for young people to… they work on lots of different levels… those are the sorts of books that I love to read, I suppose.
On whether he collected anything as a kid:
AS: I loved Spider-Man and I love Batman and “Joe 90” and all the “Thunderbirds” puppets. I had connected models of all the monsters. I had those kits – those model kits – of Godzilla and King Kong, all those amazing model kits – Mummy and Frankenstein. One of the things my mom had… she collected dolls from all around the world. We sort of travelled around quite a bit, when I was growing up, because my father was Iraqi, and he lived in Baghdad, and my sisters all grew up in Baghdad. When I was born, my mom decided she wanted to come back to England, but we used to go back and forth to Iraq, when my dad was working, all the time. So, she used to travel a lot around the world, and she used to collect dolls. I was quite fascinated by this collection of dolls from, literally, all around the world, where my parents travelled. I think it left a marked impression on me because I’ve always loved figures and making stop-motion, really short movies with figures. It’s very strange to get to a point in your life where you start to see figures of [yourself] – that’s kind of weird – all of the characters you’ve been involved in. But it is fun. Like today, you’ve all brought them along for me to signs, and that’s kind of a strange thing because it’s like the stories that you’ve been involved in, having another life as a character that means something to you that you bring back to the actor that’s played that character… It’s a very interesting circle, for sure.
On rumors that he would drink a special juice to help him do the voice of one of his most iconic characters:
AS: People think of me as a “voice actor,” and, actually, I’m really not a voice actor because the voice is a part of creating a character. The voice is linked to physicality and the voice is linked to psychology, so I never think of myself as someone who just does a voice or picks a voice. It’s always connected to the way a character moves or thinks or feels. It’s an interesting perception that people have. But, that aside, the “juice” side of things, I do, when I’m working and it’s a particularly demanding role – which, will eventually, if you don’t lubricate, then it’s going to cause you damage… So I did create – for a certain character which we can’t talk about [because of the strike] – a juice that’s made lemon, honey and ginger, and so on and so forth, which I just kind of had to drink constantly, just to keep things going, really. And that is, yeah. And it was named after the character that I played, which we can’t talk about – it was what I called that juice. It was the “Hmmmmm” juice.
Sunday, August 25, 2024
FanX Flashback - Star Wars Voice Actors Panel Highlights (FanX 2023)
Gratitude for fans:
James Arnold Taylor: [The responsibility of being a member of the "Star Wars" franchise is] not something that we take lightly. You know, there are so many amazing, talented voice actors involved in "Star Wars," from Jim Cummings – who’s here – to Corey Burton to Dee Bradley Baker, Tom Kane, Phil Lamar, Nika Futterman, on and on and on. Ashley Eckstein, Matt Lanter…
Ashley Eckstein: James Arnold Taylor!
JAT: Catherine Taber, uh… this guy, James Arnold Taylor. We don’t hold it lightly because we are huge "Star Wars" fans, and we are blessed to be a part of this. So, we’re just thrilled to be able to have you all come up to the table and say that and tell us your stories. We just thank you for that. [Audience cheers]
AE: And we know how much it means to you because it means that much to us, so thank you, thank you, thank you for all of your support. Thank you for sticking with us. [In the voice of Ahsoka Tano:] "You’re stuck with me, Sky Guy." [Audience cheers]
On the difference between live action and voice acting:
Matt Lanter: It's a whole different process: you're behind the microphone, your technique has to be pretty good or else you're not going to be heard very well, you have to bring out all the emotion [while] being kind of confined…
JAT: No looks, so Matt Lanter can’t rely on those hunky good looks. You can’t look into the camera because there's no camera – it's just a microphone! And then, you have to rely on being able to convey everything with just your voice. It is also, when you’re doing animation like "The Clone Wars," we did it just like this. We were in the round. We read together. We were in the room together. When you’re doing a video game, you’re alone in the studio. If you’re doing an animated feature film, you’re usually alone. So, each one of them has their own challenges. Each one is different. But you’re always, hopefully, conveying the right emotion and character and don’t get them confused. That would be bad.
AK: I will say – because we get this question a lot – a lot of people come up to us and they say, "How can I be a voice actor?" Well, voice acting is just acting, at its core, so I say, if you want to get into voice acting, get into acting. I started in theater, and then I actually went to film and television, and then I went into voiceover. So, the techniques are different, you know, like Matt said, but, at its core, it’s all acting.
ML: Yeah, just using different tools to bring a character to life. And, you know, there’s just different… You’re hindered by some things in live action, and the opposite goes for VO – but it’s all acting. You’re right.
Matt Lanter talks about "Timeless":
JAT: You’ve done a lot of time travel. What was your favorite episode? What was your favorite era?
ML: If I had been on a show where we time-travelled…
JAT: You were on a show where you time-travelled!
ML: We can talk about it, right? It’s done. It’s over.
JAT: Oh, I get it.
ML: …The whole "strike" thing…
JAT: [As Obi-Wan Kenobi] "You didn’t hear this." [Audience laughs]
ML: I had a lot of really fun episodes. I liked… We had a Nazi Germany episode that I thought was really fun. It was a great episode. My character was… That sounds really weird, I know: "The Nazi Germany episode was fun." My character got to fan-boy over Ian Fleming. […] But that was a fun episode for me. And also, behind the scenes – as a cast, as a crew – we just started to have a lot of fun in that episode, so it stands out for me.
*****
There you have it! For more FanX content, check out all of our other posts, find us on Facebook and follow us on Twitter (here and here).
Until next time.
FanX Flashback - John Rhys-Davies and Alison Doody Panel Highlights (FanX 2023)
I was reminded late last night how weird FanX 2023 was. It was in the midst of that dang SAG-AFTRA strike, so none of the celebrity guests were talking about the things we all wanted them to talk about. It was three days of "What's your favorite color?" "What was your favorite subject in middle school?" "Did you have any pets as a kid?" Some guests handled the weirdness better than others, and some even kind of straddled the fence a little bit, when it came to mentioning movies and shows they had worked on in the past.
John Rhys-Davies and Alison Doody seemed to be a little bit looser-lipped than others during their Grand Ballroom panel, so we did get a little bit of insight into their time working together on "Indiana Jones and the Last Crusade."
Here are some of the highlights or otherwise noteworthy moments from their panel last September:
On concerns over the use of AI in Hollywood:
John Rhys-Davies: If we could get an agreement limiting the rights of copying us – getting some restrictions on the use of avatars based on us – it would provide a precedent for all of the other claims that would be made in the future… because artificial intelligence is going to take 20-50 percent of your jobs in the next 10, 15 years – by 2034, I believe. That prediction was made in 2016.
It is crucial that we hold out and get some sort of control over our image, and that becomes a precedent… [Audience applauds] …It becomes a precedent because you are not immune to this displacement that’s going to take place. We’re living in a momentous moment in history, but our technology has outstripped our ability to adapt to it, at this moment. We’ve left a demon out of the bottle, and I’m not sure if we’ll ever be able to control it, and we certainly cannot put it back.
On whether they have ever gone on the Indiana Jones Adventure ride at Disneyland:
JRD: I did it – we did it about 30 years ago, and, um, the first few times I went there, they broke down. I never actually got to do it. [Audience laughs] But I did take my daughter there, I think about … 10 or 11 years ago, 12 years ago, and it was working. She was quite impressed, actually – probably the only time she’s ever been impressed with me.
Alison Doody: I haven’t, but I… some years ago, I actually went and I saw the show [at Disney World}. I was sitting in the audience, watching the show, and people were looking at me and going, “[Imitates curiosity and confusion].” Everybody loved it, but I have only gone and watched the show once, but I haven’t gone and done any of the rides. I would like to do that, though. [To John:] We should do it together.
JRD: Very scary. “Don’t look into the eyes of the idol!” [Audience cheers]
Alison’s thoughts on Elsa from “Indiana Jones and the Last Crusade”:
AD: [Elsa gave] the wrong grail to the bad guy, and without her getting rid of him, he would have shot all of them. [Audience cheers]
JRD: You mean, the irresistible charms of Indiana Jones persuaded you to halt, briefly, on the path of evil? [Audience laughs]
AD: And… I landed softly, so I didn’t die. [Audience laughs] I kept saying that on set, actually, after it said, “And… cut!” I kept saying, “I’m alive! I’m alive!” They kept saying, “No, you’re dead.” [Audience laughs]
On what may have happened to Elsa in “The Last Crusade,” if she actually did survive:
AD: She hung around for quite a while and then got a little bored. I thought the knight looked particularly bored. He had longevity, but it didn’t look like much was happening there. She took off and she’s going to come back, if they have another [movie].
JRD: You know, actors create characters in their imaginings. We see the script, and then we start thinking about it. We create a task. We create a parentage, a lineage, relationships, and that character lives in our imagination. Do you find that, as well?
AD: I do, but I just wish she wasn’t as nasty as she was because – it’s very strange – I really do get type-cast as the nasty priss. Even in my last film, I was particularly nasty. I keep thinking, “What? Why? I’m a nice person. Let me play a nice [character].”
JRD: Well, it’s all right for her! I got cast [in “The Lord of the Rings”] because they saw my inner dwarf!” [Audience laughs and cheers]
On the SAG-AFTRA strike, the legacy of Indiana Jones, and Sean Connery:
AD: “[Seeing the finished product of a film] on the large screen, [it’s] so impressive. And that’s why, again – even for everybody that’s involved, from the actors, the writers, directors, producers, the caterers, the crew – that’s why we’re really emphasizing how important it is for everyone to get sorted with this strike that’s going on. I truly believe that – when you see that film that’s lasted for over 40 years, and people [who watched] it as children […] are now watching it with their children or their grandchildren – that everybody […] who’s been a part of that journey and made it so special [deserves] to be treated in a way that they can continue to be in the industry.
For me, I was quite young when I got the role [of Elsa]. My agent even said to me, “You’re not going to get this. You’re in your early 20s and you’re Irish, and they’re looking for a 29-year-old Austrian.” And I said, “Well, just wait and see. I was so blessed to have been a part of that. So, to be a part of that franchise, and I think that character [Indiana Jones] who, as a main character, I think, is one of the best movie heroes because he’s a normal guy. He’s someone who makes mistakes. He messes up, but he has perseverance, and he’s a good guy. He takes the audience on such an incredible journey, which is full of action and amazing stunts. And the storyline, I think, is very, very good in our movie because it talks about father and son and their disagreeable past, and they talk through that on this journey and they forgive each other. So, I think that was a very strong element that appealed to me, watching it. [Audience cheers]
JRD: Can I ask you a question? What about the alpha male in the picture? [Audience laughs, likely assuming that he is referring to himself] Have you ever encountered a greater alpha male than Sean [Connery]?
AD: Sean. Oh, Sean. God rest his soul. He was truly unbelievable, wasn’t he? And he actually, in a lot of our scenes, improvised. So, one of those funny, quirky little one-liners – [Imitating Connery in the film] “She talks in her sleep.” […] And, you know, when… [Imitating Elsa] “I’ll never forget how wonderful it was.” [Imitating Connery] “Why, thank you.” [Audience laughs] It all was Sean. He was a true professional. All male. All male.
JRD: I’ll tell you what: I’ve seen some alpha males, in my time, but Sean was, I think, the most alpha that you could ever imagine. He had a charm and a dangerously seductive quality about him that no man that I’ve ever known or worked with has ever quite matched. You knew he was a man, and girls from 12 to 94 all looked at him… Those wonderful eyes just crinkled up slightly here, and those thin lips sort of pursed together in a wee smile, and you could just see women falling over.
Monday, October 2, 2023
FanX 2023: John Rhys-Davies recalls working with the Tabernacle Choir
Well, I knew of the Tabernacle Choir, really, from very early on. I’m a Welshman, and I spent time in a little village in Wales when my parents were out in Africa. The one choir that everyone knew of and admired was the Mormon Tabernacle Choir.
I did the Christmas show a number of years back. I expected to be impressed by the musicianship, and Mack [Wilberg] is […] probably the greatest choral authority in the world, I think, and I love him immensely and admire him immensely. The choir is superb – the musicianship, the range of their musical interests is enormous – and, as I’m a classical music fan, obviously, it was a match made in heaven, as far as I was concerned.
But the welcome you get… I will be staying on for the service ["Music and the Spoken Word"] on Sunday [September 24], and I had the great privilege of attending the 95th birthday of your prophet, who stood up and made one of the most moving and articulate speeches that I think I’ve ever heard. Wonderful man.
To an outsider, on first coming in, you’re a rather strange community, but the more I come, the more I see the real strengths of the community. The measure of friendliness to strangers is really unmatched. You’re a warm, welcoming, intelligent, rational, committed community, and I love it here.
Social media posts by some in attendance at "Music and the Spoken Word" can confirm that Rhys-Davies and fellow LOTR alum Andy Serkis were present to hear the Tabernacle Choir perform that Sunday, following the convention. So hey, how about that? Pretty cool.
For more FanX content, you know where to keep it.
Until next time.
Sunday, September 10, 2023
FanX Flashback - Giancarlo Esposito Panel Highlights (FanX22)

As we gear up for FanX 2023 - the 10-year anniversary of the convention, which is crazy - I thought it would be a good time to transcribe another panel or two from last year and put it out into the blog-o-sphere. I felt that Giancarlo Esposito put on the best panel of the weekend, so it pains me that I waited so long to publish this one. I thought he did a masterful job of taking the cliche convention questions ("Do you have a funny story about so-and-so? Did you ever steal something from a set? What has been your favorite role?" Stuff like that...) and turning his responses into teaching opportunities. I didn't capture all of his words of wisdom, but did boot up my recorder to catch a few great moments.
A fan asks Esposito whether he enjoyed working more on “Breaking
Bad” or “Better Call Saul.”
I love the comparisons. They both are favorite shows of
mine, for different reasons. I love that in “Breaking Bad,” I could come in for
four or five days and really… For an actor who does… I come from theater, and
then I moved into television, then I moved into film. Film is a continuum – you’re
doing two pages a day. Television, you’re doing six pages a day. And in order
for an actor to get a run on what he does, it’s always good to have your work
put together so you can focus.
See, focus in life is really important. Asking for what you
want is also important. We sometimes feel that we don’t have the power
to ask questions when you’re hired to do a job because you may be new – it may
be your first day or second day. How often do you go to a job interview and you’re
asked all these questions – how often do you ask a question? “What do
you have to offer me? How can I help your organization run in a way that’s
different. What do you see in me that could help bring your business a new
energy and a more empowered or more inspired way of working?” So, for me, I
feel like that’s my position in life, and I realized that to ask for what I
want is important because I want to be a contributor. I want to contribute to what
I do.
So, I loved both shows – “’Breaking Bad” because I was so
able to focus my energy and attention, come in four or five days, do my work,
pinpoint it, have them be inspired with what I do, get on a plane and go out,
come back in another two weeks and do the same thing again. But I asked for my
work to be put together so I could feel like I had the engine behind me. In “BetterCall Saul,” I spent more time on the set, which was great. But I also was able
to cultivate a more sensitive, vulnerable and astute Gus [Fring – his character
on both shows] because he had a problem – a problem that was very specific. “Saul,”
as a show, was more specific than “Breaking Bad” because it was about Jimmy.
Right? It was about Gene, Jimmy, Saul… Good-man… right?
The focus… you have to know who you are within what you do
and what you’re being asked to do. So go back to the job interview – how often
are you asked, or do you ask, “What is my position here? What would you
like me to do here? What is my strong point, my strength and my talent?” When
you ask those questions of yourself, you will be put in the perfect position
that is right for you in anything that you do. I say that what you do today
determines your tomorrow. There’s no doubt in my mind about this. How you envision
your life is how it will be. How you see it is how you then begin to create it.
Both of these shows are great for me, for different reasons,
and I had different experiences related to those reasons because I
started to see and say to myself, “What is the experience that I wanna
have?” What is that experience? You see it, you create it – what you think
grows. What you think grows.
A fan asks which of Esposito’s villainous characters is the
most evil.
Another very interesting question – and it’s a difficult
question for me to answer because I believe, and I think the success of the
villains that I have played are because I inherently have thought that the
anti-hero, the villain, is simply the fallen hero. That fallen hero is someone
who feels that they are unseen, that they aren’t given credit for what they are,
that they have to take a different route because no one is listening to them,
that their ego is too big – insurmountable – for them to get beyond that they
use force to get what they want. I feel like… which ones are evil? None of them
are inherently evil, but then they take a road that guides them and leads them
to being evil. You haven’t seen Season 3 of “Star Wars” yet – of “The Mandalorian” [at the time of the convention] – but even without seeing it, I have to say that hubris, the great
word, that we [Moff Gideon] start to feel a little powerful and we want more.
People start to listen and bow down to us and we want more, and then we start
to want more and more until we start to have the power to control that becomes out
of our control. So, if anyone is connected more to evil, I think it’s Moff Gideon
than anyone.
Esposito responds to rumors that Marvel planned to cast
him as Professor X.
I have to say, I love what Marvel does. I say it when I’m
asked this question, always. I know some folks on the TV side and it sort of
got out there that I talked to them a few years back, and that blew into, “Oh,
he’s talking to them, he’s going to be at the [convention], they’re going to
announce it,” all these things… Professor X was the last character to
come up. I am fascinated by other characters in their universe, in their world,
and I have to say: Magneto is one of them. [Audience cheers] Yeah, baby! I have
to say: Freeze is another. I’m intrigued by the kind of majestic feeling of
Freeze trapped in what he’s trapped in. I like that whole concept. I don’t know
what it will be; I know that one day, Marvel is gonna hit for me, and I’m going
to have a great time doing it. So, whatever that is, I’m hoping that they will
be as excited as I am to work on something together.
Esposito tells a story about teaching his young daughter
that he and the characters he plays are not the same person.
…That’s Gustavo Fring, and that’s not me. That’s someone else. So, whatever he does, that’s Gustavo, and this is your father. Well, the lights went down and, you know, I did a very ugly deed in [“Breaking Bad” Season] 4 [Episode] 01 “Box Cutter,” and the whole episode was galvanizing for her; she never took her eyes off the screen. She turned to me when the lights came back up. Without skipping a beat, she said, “Good kill, Papa.” [Audience gasps, laughs and applauds] I was just mortified! And then she went away - she had a couple more days of being with me in Albuquerque - and then she went home and she started watching the series from the beginning. She said, “This is such great storytelling, great filmmaking, I’m hooked.” But I swear, she never looked at me the same way again. [Audience laughs]
Esposito, on the importance of paying attention to those
around us.
When we start to come back to who we really are, and we
start to imbibe the gift that will never go away, ‘cause all it takes it to be
able to listen and really hear – not just with your ears – with your heart,
with your eyes, with your whole body – then, inspiration comes, and the right
answer is always at the tip of your tongue because it’s organically the truth.
It’s time for us to pay attention to each other again.
*****
Do you have a favorite Giancarlo Esposito role? We loved hearing him as Baxter Stockman in the recently released "TMNT: Mutant Mayhem," and really enjoyed the very un-family friendly Netflix series "Kaleidoscope." Leave us a comment below, follow us on Twitter (here and here) or hit us up on Facebook.
We're looking forward to FanX 2023 in a couple weeks. Are you going? There's still time to grab your tickets for what will undoubtedly be one of the biggest conventions in the history of the Beehive State.
Surely, we'll be back after the convention to post highlights from some of our favorite panels. Until then, keep it tuned here.
Until next time.
Saturday, October 1, 2022
FanX 22: "Stranger Things" reunion panel highlights
Van Dien: Yes, I’ve heard all the “Chrissy” remixes. I think it's so cool. I think I’ll be singing “Chrissy, Wake Up” way past everybody else.
"I think I'm a bit stronger than Chrissy. I think I could take Vecna." Shots fired by @GraceVanDien!#StrangerThings #FanX pic.twitter.com/f5crvjf5an
— FanX® Salt Lake Comic Convention™ (@fanxsaltlake) September 24, 2022
Franco: Let’s see... How would I… It’s gotta be good, man. There’s so many deaths in movies that like, you know, I’ll watch and I’m like, “[Expletive], that’s a crazy-good one,” you know? Like Quint in “Jaws,” how he’s slowly… he’s kicking and he’s just like, “No! No! No! No! No!” – so bad – and that [expletive] is just doing this… [Franco pantomimes the scene, audience laughs] Something like that, or it could be like… I don’t know, man. It’d be something like that. Maybe some… what’s a good – yo! You know what’s a good death in a movie? [Audience laughs] Sorry. I don’t know if you guys were like this, but it’d be [expletive] amazing to do it again: the guy in “RoboCop” – the one that slams into the vat of chemicals, and he comes out yo! [Franco screeches, audience laughs] And then, and then – yo! And then Red Forman [actor Kurtwood Smith, who starred in “RoboCop” and played Red Forman on “That 70s Show”] drives right through him and he [expletive] explodes! That would be [expletive] crazy.
A fan asked who their favorite "Stranger Things" character is (but they couldn't choose their own character), as well as their least favorite character.
Matarazzo: There’s an answer, for sure. Who’s my favorite character? Can’t choose Dustin. You guys could choose Dustin – I’m just saying. I’m gonna pick… Steve. [Audience cheers wildly, Matarazzo laughs] That was like the State of the Union. It’s like, “YES!”
Franco, mockingly: Steve.
Matarazzo: I think my least favorite… That’s messed up. Least favorite? I don’t want to pick a bad guy because I think that those characters are awesome. Know what I mean? It’s not necessarily, like, your least favorite character is someone that does bad things on the show because that’s what make shows exciting. People are saying, “Vecna!” […] Vecna’s probably one of my favorite characters in the show’s history. So, I’m gonna pick… Oh, man!
Franco: You have to pick one.
Matarazzo: I’ve got to pick one? Who’s that “Argyle” dude? [Audience laughs]
Franco, dejectedly: My favorite character has always been Dustin. [Audience laughs] It’s ok. Never meet your heroes, guys.
Surprisingly, Van Dien would go on to say that Season 4 bully Jason gets an undeserved amount of hate - an answer which seemed to irritate the overwhelmingly anti-Jason audience.
Matarazzo was asked about filming Eddie’s Season 4 rock concert.
Matarazzo: Oh, it was a complete bop and a half. I just felt really bad because we were on top of this trailer in a real neighborhood, like in the middle of the night. Yeah, we filmed that and I was… and there was a scene after that where, uh, spoilers… Ah, this is actually… Who hasn’t seen Season 4? Why are you… Aww [incoherent mumbling] … Well, something bad happens. [Audience laughs] And I have to go to the bad thing that’s happening and I’m screaming a lot while doing it, and it’s like 4:30 in the morning. [The directors were] like, “Really scream!” Like, “Ok!” So I’m running and then we stop and do it over and over again, and I’m like, “This sucks!” Yeah, so I just felt… It was awesome and I just felt bad. That was pretty much it. That was crazy, though.
*****
There you have it! What were some of your favorite parts from Season 4 of "Stranger Things"? What are your predictions for Season 5? How do you think Argyle should die? Is it ok to put pineapple on pizza? Let us know in the comments section, on Twitter (here and here) or on Facebook.
For more "Stranger Things" goodness, take a look back at our Season 4 Power Rankings!
And, as always, keep it right here with Signs of the Times for more glorious FanX panel transcriptions.
Friday, September 30, 2022
FanX 22: Timothy Omundson felt "incredibly lucky" for role on "Galavant"

FanX 2022 featured an exciting reunion panel for "Psych" fans, as stars Timothy Omundson and Maggie Lawson joined forces for a laughter-filled chat about pineapples, podcasts and solving cases. However, we at Signs of the Times remember Omundson best for his role as the baddie-turned-bestie, King Richard, on the short-lived musical comedy "Galavant."
Omundson took a few minutes during the panel to reminisce about his "Galavant" gig, with some supportive fangirling from Lawson. Here's what they had to say:
Lawson: How great was Tim on “Galavant?”
Omundson: […] I’ve had such incredible roles to play. To leave “Psych” and then – well, you never “leave ‘Psych’” – but, to have done “Psych” for eight years… well, eight years; 120 episodes; at this point, three movies – of, hopefully, eight… [Audience cheers] …to then get to do “Galavant” was just an embarrassment of riches. Here’s a little secret: I had not done a musical since high school, so I got to work and just, really, I had no idea what I was doing. […] In between hiatuses, I had to double down on singing lessons. I really wanted [to learn how to] sing because I really had no idea – I had no technique, whatsoever. I was in a recording booth with the great Alan Menken. [Audience cheers] He’s done some stuff. …and I recorded one of my first songs [-] one of my big songs… my big song – I think it’s from the pilot – and I can’t hit the top note. I could sort of see through the recording booth glass, all the producers kind of look at each other, and I immediately [start sweating]. I’m like, “I am getting fired. They’re gonna realize, they’re gonna discover I’m a fraud. I’m gonna get fired immediately.” Alan comes in the booth with me and he’s trying to teach me how to sing, and I’m like, “This is horrible!” So I left the booth that day, trying not to burst into tears, and vowed that I would never let that happen again. On hiatus, I went back and took lessons and learned how to sing, just because I was afraid I was going to get fired. It was the greatest job, second to “Psych,” of my life. Because, I mean, like, riding horses through the countryside of England and Morocco? Come on!
Lawson: I remember that process. You worked so hard. I remember being on a plane back from Vancouver as “Psych” was finishing up. […] I remember saying to you, “You can do whatever you want – what would be your next job?” And you kind of said all of those things that “Galavant” had, before “Galavant” had even come along. [Then] that showed up and I remember that audition process; it went on and on and on, and I remember being like, “He’s gonna get this!”
Omundson: It literally took five months for me to finally get the job. So, at that time, every human being that my family and I knew, knew I was up for this role, and I was like, “This could be so embarrassing if I don’t get this job.” But the […] network had a big English movie star in line for the role, so they kept putting it off until they’d offered the job to not just one movie star but two. I’m not saying who, but they were British…
Lawson: But they weren’t Timothy Omundson!
Omundson: Thank goodness. So, finally, one of them said, “You’ll have to hypnotize me to sing,” because he was afraid of singing. [“Galavant” creator] Dan Fogelman, right from the get-go, was like, “Don’t worry, you’re my guy. We’ve just got to get the network to let go of this dream with these movie stars.” And, the next thing, I’m on a plane to England!
Lawson: You’re still his guy!
Omundson: I’m so incredibly lucky. So, to go from “Galavant,” then… [sarcastically] Maggie, did you hear that I had a stroke?
Lawson, sarcastically: Wait, what?!
Omundson: Oh yeah, it was in all the papers! I’m ok, though. [Audience laughs, sympathetically]
Lawson: Oh, fantastic! [Audience cheers] You’re the greatest warrior I know!
Omundson: So, to go from that little, massive brain injury to then have my “Psych” family, who rallied behind me like they all did, to build the movies around me, was just… I’m still gob-smacked by it.


